Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 193 | Poster sharp | 17% |
| 14 × 11 in | 140 | Fine across a room | 16% |
| 16 × 12 in | 129 | Fine across a room | 12% |
| 20 × 16 in | 96 | Too soft | 17% |
| 24 × 18 in | 86 | Too soft | 12% |
| 36 × 24 in | 64 | Too soft | 1% |
| 40 × 30 in | 51 | Too soft | 12% |
The ticket
Across the Campagna is a work on paper by George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland), dated 1872. Watercolor, gouache, and graphite on off-white wove paper. Size on the museum record: 6 13/16 x 10 5/16 in. (17.3 x 26.2 cm). The Metropolitan Museum of Art holds it in its The American Wing collection — Bequest of Susan Dwight Bliss, 1966.
In The Met's records, Across the Campagna is a watercolor, gouache, and graphite on off-white wove paper credited to George Inness. The museum dates it 1872 (accession 67.55.145, The American Wing). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,340 × 1,550 pixels, which prints about 7.8 × 5.2 in at 300 dpi and 15.6 × 10.3 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its dominant blues sit best in a matte black or gallery white frame, which keep the cool tones clean. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,340 × 1,550 pixels — 3.6 megapixels — good for a gallery-sharp print up to 7.8 × 5.2 in. The work on paper itself measures about 10.3 × 6.8 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- George Inness
- Date
- 1872
- Medium
- Watercolor, gouache, and graphite on off-white wove paper
- Size
- 6 13/16 x 10 5/16 in. (17.3 x 26.2 cm)
- Museum
- The Met · The American Wing
- Accession
- 67.55.145
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More George Inness
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Autumn Meadows1869Free · sharp to 12.7 × 8.5 in at 300 dpi, uncropped
Autumn Oaksca. 1878Free · sharp to 6.4 × 4.2 in at 300 dpi, uncropped
Delaware Water Gap1861Free · sharp to 12.7 × 9.1 in at 300 dpi, uncropped
Evening at Medfield, Massachusetts1875Free · sharp to 12.7 × 7.7 in at 300 dpi, uncropped