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Across the Campagna

George Inness · 1872 · The Met, New York

Public domain · CC0 · $0.002,340 × 1,550 px · 3.6 MP
Prints gallery-sharp up to7.8 × 5.2 inat 300 dpi, uncropped · poster-sharp to 15.6 × 10.3 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Across the Campagna by George Inness, 1872
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Across the Campagna in a frame
16 × 20 in
Across the CampagnaGeorge Inness · 1872
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in193Poster sharp17%
14 × 11 in140Fine across a room16%
16 × 12 in129Fine across a room12%
20 × 16 in96Too soft17%
24 × 18 in86Too soft12%
36 × 24 in64Too soft1%
40 × 30 in51Too soft12%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Across the Campagna is a work on paper by George Inness (American, Newburgh, New York 1825–1894 Bridge of Allan, Scotland), dated 1872. Watercolor, gouache, and graphite on off-white wove paper. Size on the museum record: 6 13/16 x 10 5/16 in. (17.3 x 26.2 cm). The Metropolitan Museum of Art holds it in its The American Wing collection — Bequest of Susan Dwight Bliss, 1966.

In The Met's records, Across the Campagna is a watercolor, gouache, and graphite on off-white wove paper credited to George Inness. The museum dates it 1872 (accession 67.55.145, The American Wing). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,340 × 1,550 pixels, which prints about 7.8 × 5.2 in at 300 dpi and 15.6 × 10.3 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its dominant blues sit best in a matte black or gallery white frame, which keep the cool tones clean. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,340 × 1,550 pixels — 3.6 megapixels — good for a gallery-sharp print up to 7.8 × 5.2 in. The work on paper itself measures about 10.3 × 6.8 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.

On the receipt

Artist
George Inness
Date
1872
Medium
Watercolor, gouache, and graphite on off-white wove paper
Size
6 13/16 x 10 5/16 in. (17.3 x 26.2 cm)
Museum
The Met · The American Wing
Accession
67.55.145
License
Public domain · CC0 1.0
Source
Museum record ↗