Original: Museum-held, not on this menuThe Starry Night
Vincent van Gogh · 1889
Painted from a room he could not leave. Now it is on a tote bag. Get the good print instead.

Van Gogh, Hokusai, Klimt, Munch. Every painting on this board is in the public domain, which means it costs nothing. We just tell you which print, which frame and which bulb turn it into something worth looking at.
No inventory. No checkout. No gallerist looking at your shoes. Take a free file or browse print and framing options on Amazon.
A pastel version of The Scream sold for $119.9 million in 2012. A public-domain image is a different thing: a file you can download, print and put on your own wall.
The difference between those two numbers is not the art. It's the room it hangs in, the light on it, and the story someone told you about who's allowed to own it.
So: drive up, take the masterpiece, it's free. We'll upsell you a frame like an honest business.
Every piece below is public domain — free to print, free to hang, free forever. The money is in the paper and the wood. Open a painting for its story and free file, or browse print options through our affiliate links.
Original: Museum-held, not on this menuVincent van Gogh · 1889
Painted from a room he could not leave. Now it is on a tote bag. Get the good print instead.
Original: Museum impression, not on this menuKatsushika Hokusai · c. 1831
A woodblock print made to be cheap and mass-produced. The most punk thing on this board.
Original: A pastel version went for $119.9M in 2012Edvard Munch · 1893
The single most accurate painting about checking your bank balance on a Sunday.
Original: Museum-held, not on this menuGustav Klimt · 1907–08
Real gold leaf. Which is why every cheap print of it looks like a mustard stain.
Original: Museum-held, not on this menuJohannes Vermeer · c. 1665
Not a portrait. A study of a light source pretending to be a person.
Original: Museum-held, not on this menuVincent van Gogh · 1888
He painted them to decorate a spare room for a friend. The friend left. The paintings stayed.
Original: Museum-held, not on this menuVincent van Gogh · 1888
The first painting of a night scene that is not black. The entire brand, honestly.
Original: Museum-held, not on this menuClaude Monet · 1906
He painted the same pond 250 times. Commitment is a style.
Original: Museum-held, not on this menuGrant Wood · 1930
It's his sister and his dentist. That is the actual answer.
Original: Museum-held, not on this menuVincent van Gogh · 1888
A painting of a bedroom, for a bedroom. We are not going to overthink this one.
Original: Museum-held, not on this menuJ. M. W. Turner · 1839
A warship being towed off to be broken up, painted as a sunset. The best goodbye in art.
Original: Museum-held, not on this menuSandro Botticelli · c. 1485
Painted on canvas when everyone serious used wood panel. The cheap option, 540 years ago.
326 public-domain works by 36 artists, each linked to The Met's full-resolution CC0 scan — with a chart of exactly how big it prints before it goes soft.
The Rocky Mountains, Lander's PeakAlbert Bierstadt · 1863Free · sharp to 12×7 in
The HarvestersPieter Bruegel the Elder · 1565Free · sharp to 12×9 in
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)Canaletto · 1741Free · sharp to 13×9 in
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne · 1888–90Free · sharp to 9×12 in
Heart of the AndesFrederic Edwin Church · 1859Free · sharp to 12×7 in
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The OxbowThomas Cole · 1836Free · sharp to 13×9 in
Diana and Actaeon (Diana Surprised in Her Bath)Camille Corot · 1836Free · sharp to 9×12 in
Woman with a ParrotGustave Courbet · 1866Free · sharp to 13×9 in
Portrait of Madame Dietz-MonninEdgar Degas · ca. 1879Free · sharp to 8×13 in
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix · 1832Free · sharp to 8×11 in
Public domain. Print it at the drugstore if you want. Nobody is coming for you.
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A cheap print in a solid frame with a 3-inch mat reads as expensive. An expensive print in a plastic clip frame does not. This is the whole secret.
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Try one warm picture light. A centre around 57 inches from the floor is a useful starting point; move it to suit your wall and furniture.
Shop picture lights →The unglamorous half. Browse frames, mats and lights; these illustrations show the type of item, not a specific Amazon product.
IllustrationThe single biggest upgrade available to a cheap print. Nothing else comes close.
IllustrationA three-inch mat is the difference between "poster" and "piece". Museums are not doing anything cleverer than this.
IllustrationLight the art and the room reads as curated. Leave it unlit and it reads as furnished.
IllustrationCrooked art is worse than no art. Centre line at 57 inches. Every gallery on earth uses that number.
IllustrationMatching frames, mismatched art. That is the formula. Do not do it the other way around.
IllustrationFor the 2am decision to make your own. Statistically it goes badly. Occasionally it does not.
IllustrationBig pictures, short entries, zero gatekeeping. The fastest way to find out what you actually like.
IllustrationFor the piece you want on a shelf instead of a wall, and for showing off, which is what art is for.
IllustrationBend the light around a shelf or along a wall. It comes as a flexible rope, ready for your own shape.
IllustrationA basic way to help keep a leaning frame from slipping. Check the material and weight rating before using it.
IllustrationFor the prints you rotate instead of the prints you hang. Acid-free, or you are just slowly cooking them.
IllustrationThe 2am urge has to land somewhere. Better here than on the wall itself.
A gallery should feel less like a waiting room and more like the best booth in the city. Start with one piece. Let it get weird from there.
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