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Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island

Utagawa Kuniyoshi · 1835–36 · The Met, New York

Public domain · CC0 · $0.001,926 × 1,245 px · 2.4 MP
Prints gallery-sharp up to6.4 × 4.2 inat 300 dpi, uncropped · poster-sharp to 12.8 × 8.3 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island by Utagawa Kuniyoshi, 1835–36
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Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in155Poster sharp19%
14 × 11 in113Fine across a room18%
16 × 12 in103Fine across a room14%
20 × 16 in77Too soft19%
24 × 18 in69Too soft14%
36 × 24 in51Too soft3%
40 × 30 in41Too soft14%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island is a woodblock print by Utagawa Kuniyoshi (Japanese, 1797–1861), dated 1835–36. Woodblock print; ink and color on paper. Size on the museum record: 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939.

The Met catalogs Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island as a woodblock print; ink and color on paper by Utagawa Kuniyoshi. The museum dates it 1835–36; it sits in the Asian Art department as accession JP2860. The subject is water and weather, so the sky-to-sea balance carries the picture; keep the horizon level when you hang it. The Met's scan measures 1,926 × 1,245 pixels, which prints about 6.4 × 4.2 in at 300 dpi and 12.8 × 8.3 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its dominant blues sit best in a matte black or gallery white frame, which keep the cool tones clean. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 1,926 × 1,245 pixels — 2.4 megapixels — good for a gallery-sharp print up to 6.4 × 4.2 in. The woodblock print itself measures about 13.7 × 8.9 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.

On the receipt

Artist
Utagawa Kuniyoshi
Date
1835–36
Medium
Woodblock print; ink and color on paper
Size
8 7/8 x 13 3/4 in. (22.5 x 34.9 cm)
Museum
The Met · Asian Art
Accession
JP2860
License
Public domain · CC0 1.0
Source
Museum record ↗