Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 252 | Sharp up close | 19% |
| 14 × 11 in | 183 | Poster sharp | 18% |
| 16 × 12 in | 168 | Poster sharp | 14% |
| 20 × 16 in | 126 | Fine across a room | 19% |
| 24 × 18 in | 112 | Fine across a room | 14% |
| 36 × 24 in | 84 | Too soft | 3% |
| 40 × 30 in | 67 | Too soft | 14% |
The ticket
The Great Day of His Wrath is a painting by John Martin (British, Haydon Bridge 1789–1854 Douglas), dated 1851–53. Oil on canvas. Size on the museum record: 196.5 × 303 cm. Held by Tate Britain, London; the free scan comes from Wikimedia Commons.
John Martin was the Victorian king of the disaster painting, and this is the climax of his career: a collapsing city, a split sky, and a landscape in motion. The scale of the damage is measured against tiny human figures. Hollywood directors have cited him as a forebear of the disaster movie. The 3000-pixel scan holds up well when blown up, and the picture looks best in a horizontal black frame.
The work is in the public domain, which means no permission, no fee and no credit line required. That file is 3,136 × 2,023 pixels — 6.3 megapixels — good for a gallery-sharp print up to 10.5 × 6.7 in. The painting itself measures about 119.3 × 77.4 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- John Martin
- Date
- 1851–53
- Medium
- Oil on canvas
- Size
- 196.5 × 303 cm
- Held by
- Tate Britain, London
- License
- Public domain · Public Domain Mark
- Source
- Commons file page ↗
