Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 348 | Gallery sharp | 9% |
| 14 × 11 in | 253 | Sharp up close | 7% |
| 16 × 12 in | 232 | Sharp up close | 3% |
| 20 × 16 in | 174 | Poster sharp | 9% |
| 24 × 18 in | 154 | Poster sharp | 3% |
| 36 × 24 in | 105 | Fine across a room | 9% |
| 40 × 30 in | 92 | Too soft | 3% |
The ticket
Honfleur: Calvary is a painting by Camille Corot (French, Paris 1796–1875 Paris), dated ca. 1830. Oil on wood. Size on the museum record: 11 3/4 x 16 1/8 in. (29.8 x 41 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Purchase, Mr. and Mrs. Richard J. Bernhard Gift, by exchange, 1974.
The Met catalogs Honfleur: Calvary as an oil on wood by Camille Corot. The museum dates it ca. 1830; it sits in the European Paintings department as accession 1974.3. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,811 × 2,784 pixels, which prints about 12.7 × 9.3 in at 300 dpi and 25.4 × 18.6 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,811 × 2,784 pixels — 10.6 megapixels — good for a gallery-sharp print up to 12.7 × 9.3 in. The painting itself measures about 16.1 × 11.7 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Camille Corot
- Date
- ca. 1830
- Medium
- Oil on wood
- Size
- 11 3/4 x 16 1/8 in. (29.8 x 41 cm)
- Museum
- The Met · European Paintings
- Accession
- 1974.3
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Camille Corot
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Diana and Actaeon (Diana Surprised in Her Bath)1836Free · sharp to 9.1 × 12.4 in at 300 dpi, uncropped
Hagar in the Wilderness1835Free · sharp to 12.7 × 9.4 in at 300 dpi, uncropped
Sibylleca. 1870Free · sharp to 10.6 × 13.3 in at 300 dpi, uncropped
A Lane through the Treesca. 1870–73Free · sharp to 9.8 × 12.9 in at 300 dpi, uncropped