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Human Misery, from the Volpini Suite: Dessins lithographiques

Paul Gauguin · 1889 · The Met, New York

Public domain · CC0 · $0.002,912 × 3,633 px · 10.6 MP
Prints gallery-sharp up to9.7 × 12.1 inat 300 dpi, uncropped · poster-sharp to 19.4 × 24.2 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Human Misery, from the Volpini Suite: Dessins lithographiques by Paul Gauguin, 1889
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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in363Gallery sharpnothing
11 × 14 in259Sharp up close2%
12 × 16 in227Sharp up close6%
16 × 20 in181Poster sharpnothing
18 × 24 in151Poster sharp6%
24 × 36 in100Fine across a room17%
30 × 40 in90Too soft6%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Human Misery, from the Volpini Suite: Dessins lithographiques is a painting by Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), dated 1889. zincograph, on simili-Japan paper; second edition. Size on the museum record: 11 9/16 x 9 5/16 in. (29.4 x 23.7 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Bequest of Scofield Thayer, 1982.

In The Met's records, Human Misery, from the Volpini Suite: Dessins lithographiques is a zincograph, on simili-japan paper; second edition credited to Paul Gauguin. The museum dates it 1889, and files it under accession 1984.1203.47 in Drawings and Prints. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,912 × 3,633 pixels, which prints about 9.7 × 12.1 in at 300 dpi and 19.4 × 24.2 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,912 × 3,633 pixels — 10.6 megapixels — good for a gallery-sharp print up to 9.7 × 12.1 in. That is roughly life-size: the painting itself measures about 9.3 × 11.6 in.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
Paul Gauguin
Date
1889
Medium
zincograph, on simili-Japan paper; second edition
Size
11 9/16 x 9 5/16 in. (29.4 x 23.7 cm)
Museum
The Met · Drawings and Prints
Accession
1984.1203.47
License
Public domain · CC0 1.0
Source
Museum record ↗
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