Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 238 | Sharp up close | 2% |
| 14 × 11 in | 170 | Poster sharp | 4% |
| 16 × 12 in | 149 | Fine across a room | 8% |
| 20 × 16 in | 119 | Fine across a room | 2% |
| 24 × 18 in | 99 | Too soft | 8% |
| 36 × 24 in | 66 | Too soft | 18% |
| 40 × 30 in | 59 | Too soft | 8% |
The ticket
Sketchbook of Northwest American and Canadian Scenery is a work on paper by Albert Bierstadt (American, Solingen 1830–1902 New York), dated 1890. Drawings in graphite on off-white wove paper, bound in a leather cover. Size on the museum record: Cover: 4 3/4 x 7 1/2 x 7/16 in. (12.1 x 19.1 x 1.1 cm) Sheets: 4 5/8 x 7 1/2 in. (11.7 x 19.1 cm). The Metropolitan Museum of Art holds it in its The American Wing collection — Bequest of Marguerite H. Rohlfs, 1995.
The Met catalogs Sketchbook of Northwest American and Canadian Scenery as a drawings in graphite on off-white wove paper, bound in a leather cover by Albert Bierstadt. The museum dates it 1890, and files it under accession 1995.379.4 in The American Wing. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,388 × 1,952 pixels, which prints about 8.0 × 6.5 in at 300 dpi and 15.9 × 13.0 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,388 × 1,952 pixels — 4.7 megapixels — good for a gallery-sharp print up to 8 × 6.5 in. That is bigger than the work on paper itself, which measures about 0.4 × 7.5 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Albert Bierstadt
- Date
- 1890
- Medium
- Drawings in graphite on off-white wove paper, bound in a leather cover
- Size
- Cover: 4 3/4 x 7 1/2 x 7/16 in. (12.1 x 19.1 x 1.1 cm) Sheets: 4 5/8 x 7 1/2 in. (11.7 x 19.1 cm)
- Museum
- The Met · The American Wing
- Accession
- 1995.379.4
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Albert Bierstadt
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The Rocky Mountains, Lander's Peak1863Free · sharp to 12.7 × 7.6 in at 300 dpi, uncropped
Canadian Rockies (Lake Louise)ca. 1889Free · sharp to 12.7 × 8.8 in at 300 dpi, uncropped
Hunter on Lake Nipissing; Lake Near Sudbury (from Sketchbook)1890Free · sharp to 8.2 × 6.6 in at 300 dpi, uncropped
Lake Nipissing (from Sketchbook)1890Free · sharp to 8.2 × 6.6 in at 300 dpi, uncropped