Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 306 | Gallery sharp | 19% |
| 11 × 14 in | 222 | Sharp up close | 18% |
| 12 × 16 in | 204 | Sharp up close | 14% |
| 16 × 20 in | 153 | Poster sharp | 19% |
| 18 × 24 in | 136 | Fine across a room | 14% |
| 24 × 36 in | 102 | Fine across a room | 3% |
| 30 × 40 in | 81 | Too soft | 14% |
The ticket
A Woman Burning Weeds is a work on paper by Jean-François Millet (French, Gruchy 1814–1875 Barbizon), dated 1830–75. Pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper. Size on the museum record: 15 5/16 x 9 3/4 in. (38.9 x 24.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929.
In The Met's records, A Woman Burning Weeds is a pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper credited to Jean-François Millet. The museum dates it 1830–75 (accession 29.100.560, Drawings and Prints). The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,448 × 3,794 pixels, which prints about 8.2 × 12.6 in at 300 dpi and 16.3 × 25.3 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,448 × 3,794 pixels — 9.3 megapixels — good for a gallery-sharp print up to 8.2 × 12.6 in. The work on paper itself measures about 9.8 × 15.3 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Jean-François Millet
- Date
- 1830–75
- Medium
- Pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper
- Size
- 15 5/16 x 9 3/4 in. (38.9 x 24.8 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 29.100.560
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Jean-François Millet
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A Shepherdess with Her Flockca. 1852Free · sharp to 12.6 × 8.9 in at 300 dpi, uncropped
Autumn Landscape with a Flock of Turkeys1872–73Free · sharp to 12.7 × 10.3 in at 300 dpi, uncropped
Calling the Cows Homeca. 1872Free · sharp to 8.9 × 13 in at 300 dpi, uncropped