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At the Prado

Edouard Manet · 1863, reworked ca. 1867 · The Met, New York

Public domain · CC0 · $0.002,614 × 3,665 px · 9.6 MP
Prints gallery-sharp up to8.7 × 12.2 inat 300 dpi, uncropped · poster-sharp to 17.4 × 24.4 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00At the Prado by Edouard Manet, 1863, reworked ca. 1867
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At the Prado in a frame
16 × 20 in
At the PradoÉdouard Manet · 1863, reworked ca. 1867
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in326Gallery sharp11%
11 × 14 in237Sharp up close9%
12 × 16 in217Sharp up close5%
16 × 20 in163Poster sharp11%
18 × 24 in145Fine across a room5%
24 × 36 in101Fine across a room7%
30 × 40 in87Too soft5%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

At the Prado is a print by Edouard Manet (French, Paris 1832–1883 Paris), dated 1863, reworked ca. 1867. Etching and aquatint on heavy laid paper, final state of two, posthumous impression. Size on the museum record: plate: 8 3/4 x 6 1/8in. (22.2 x 15.6cm) sheet: 12 7/8 x 8 15/16in. (32.7 x 22.7cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Harris Brisbane Dick Fund, 1923.

The Met catalogs At the Prado as an etching and aquatint on heavy laid paper, final state of two, posthumous impression by Edouard Manet. The museum dates it 1863, reworked ca. 1867 (accession 23.99, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,614 × 3,665 pixels, which prints about 8.7 × 12.2 in at 300 dpi and 17.4 × 24.4 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,614 × 3,665 pixels — 9.6 megapixels — good for a gallery-sharp print up to 8.7 × 12.2 in. That is bigger than the print itself, which measures about 6.1 × 8.7 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
Edouard Manet
Date
1863, reworked ca. 1867
Medium
Etching and aquatint on heavy laid paper, final state of two, posthumous impression
Size
plate: 8 3/4 x 6 1/8in. (22.2 x 15.6cm) sheet: 12 7/8 x 8 15/16in. (32.7 x 22.7cm)
Museum
The Met · Drawings and Prints
Accession
23.99
License
Public domain · CC0 1.0
Source
Museum record ↗