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141 free public-domain files from The Met's open-access collection. Western prints whose Met medium line names etching, drypoint, engraving, aquatint, mezzotint, lithograph or woodcut.

141 works · $0.00 each24 artists1497–1918
God Judging Adam by William BlakeGod Judging AdamWilliam Blake · ca. 1795Free · sharp to 13.3 × 10.9 in at 300 dpi, uncroppedPity by William BlakePityWilliam Blake · ca. 1795Free · sharp to 12.3 × 9.8 in at 300 dpi, uncroppedSongs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page by William BlakeSongs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-pageWilliam Blake · [1789–94] printed ca. 1825Free · sharp to 10.6 × 12.4 in at 300 dpi, uncroppedSongs of Innocence: Frontispiece by William BlakeSongs of Innocence: FrontispieceWilliam Blake · [1789] printed ca. 1825Free · sharp to 10.2 × 11.7 in at 300 dpi, uncroppedSongs of Innocence: Introduction by William BlakeSongs of Innocence: IntroductionWilliam Blake · [1789] printed ca. 1825Free · sharp to 10.7 × 11.7 in at 300 dpi, uncroppedSongs of Innocence: The Ecchoing Green by William BlakeSongs of Innocence: The Ecchoing GreenWilliam Blake · [1789] printed ca. 1825Free · sharp to 10.5 × 11.6 in at 300 dpi, uncroppedSongs of Innocence: The Lamb by William BlakeSongs of Innocence: The LambWilliam Blake · [1789] printed ca. 1825Free · sharp to 10.7 × 11.6 in at 300 dpi, uncroppedSongs of Innocence: The Shepherd by William BlakeSongs of Innocence: The ShepherdWilliam Blake · [1789] printed ca. 1825Free · sharp to 10.4 × 11.6 in at 300 dpi, uncroppedSongs of Innocence: Title Page by William BlakeSongs of Innocence: Title PageWilliam Blake · [1789] printed ca. 1825Free · sharp to 10.5 × 11.5 in at 300 dpi, uncroppedThe Complaint and the Consolation; or, Night Thoughts by William BlakeThe Complaint and the Consolation; or, Night ThoughtsWilliam Blake · 1797Free · sharp to 9.8 × 13.3 in at 300 dpi, uncroppedAvarice (Avaritia), from the series The Seven Deadly Sins by Pieter Bruegel the ElderAvarice (Avaritia), from the series The Seven Deadly SinsPieter Bruegel the Elder · 1558Free · sharp to 12.4 × 9.5 in at 300 dpi, uncroppedEuntes in Emaus (Landscape with Pilgrims at Emmaus), from "The Large Landscapes" by Pieter Bruegel the ElderEuntes in Emaus (Landscape with Pilgrims at Emmaus), from "The Large Landscapes"Pieter Bruegel the Elder · ca. 1555–56Free · sharp to 12.4 × 9.6 in at 300 dpi, uncroppedFaith (Fides), from "The Virtues" by Pieter Bruegel the ElderFaith (Fides), from "The Virtues"Pieter Bruegel the Elder · ca. 1559–60Free · sharp to 12.4 × 9.6 in at 300 dpi, uncroppedFour-master and Two Three-masters Anchored near a Fortified Island, from "The Sailing Vessels" by Pieter Bruegel the ElderFour-master and Two Three-masters Anchored near a Fortified Island, from "The Sailing Vessels"Pieter Bruegel the Elder · 1561–65Free · sharp to 12.7 × 9.7 in at 300 dpi, uncroppedThe Alchemist by Pieter Bruegel the ElderThe AlchemistPieter Bruegel the Elder · after 1558Free · sharp to 12.4 × 9.3 in at 300 dpi, uncroppedThe Dirty Bride or the Marriage of Mopsus and Nisa by Pieter Bruegel the ElderThe Dirty Bride or the Marriage of Mopsus and NisaPieter Bruegel the Elder · 1570Free · sharp to 12 × 9.3 in at 300 dpi, uncroppedThe Rabbit Hunt by Pieter Bruegel the ElderThe Rabbit HuntPieter Bruegel the Elder · 1560Free · sharp to 12.2 × 9 in at 300 dpi, uncroppedThree Caravels in a Rising Squall with Arion on a Dolphin from "The Sailing Vessels" by Pieter Bruegel the ElderThree Caravels in a Rising Squall with Arion on a Dolphin from "The Sailing Vessels"Pieter Bruegel the Elder · 1561–65Free · sharp to 12.3 × 9.3 in at 300 dpi, uncroppedImaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal)Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)Canaletto · 1741Free · sharp to 13 × 9.1 in at 300 dpi, uncroppedA three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal)A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)Canaletto · 1735–46Free · sharp to 13 × 9.9 in at 300 dpi, uncroppedImaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal)Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)Canaletto · 1735–46Free · sharp to 13 × 9.9 in at 300 dpi, uncroppedThe Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal)The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)Canaletto · 1735–46Free · sharp to 13 × 9.7 in at 300 dpi, uncroppedView of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal)View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)Canaletto · 1735–46Free · sharp to 13 × 9.9 in at 300 dpi, uncroppedPlate from "Divers Trophées" (Weapon Trophies after the Façade of Palazzo Milesi in Rome) by Polidoro da CaravaggioPlate from "Divers Trophées" (Weapon Trophies after the Façade of Palazzo Milesi in Rome)Caravaggio · 1651Free · sharp to 11.8 × 8.8 in at 300 dpi, uncroppedTitle page of "Divers Trophées" (Weapon Trophies after the Façade of Palazzo Milesi in Rome) by Polidoro da CaravaggioTitle page of "Divers Trophées" (Weapon Trophies after the Façade of Palazzo Milesi in Rome)Caravaggio · 1651Free · sharp to 12 × 8.8 in at 300 dpi, uncroppedHarbor Scene with Rising Sun by Claude Lorrain (Claude Gellée)Harbor Scene with Rising SunClaude Lorrain · 1634Free · sharp to 13.3 × 9.1 in at 300 dpi, uncroppedThe Rape of Europa by Claude Lorrain (Claude Gellée)The Rape of EuropaClaude Lorrain · 1634Free · sharp to 12.4 × 9.8 in at 300 dpi, uncroppedThe Round Tower Ruptured to Reveal the Statue of the King of the Romans by Claude Lorrain (Claude Gellée)The Round Tower Ruptured to Reveal the Statue of the King of the RomansClaude Lorrain · 1637Free · sharp to 8.6 × 11.8 in at 300 dpi, uncroppedA Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso) by Honoré DaumierA Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso)Honoré Daumier · ca. 1865Free · sharp to 9.6 × 12.1 in at 300 dpi, uncroppedAllons haut! Y sommes-nous?, from "La Chasse" by Honoré DaumierAllons haut! Y sommes-nous?, from "La Chasse"Honoré Daumier · November 11, 1843Free · sharp to 9.4 × 12.1 in at 300 dpi, uncroppedArtists Examining the Work of a Rival (Artistes en train d'examiner le tableau d'un rival), from Le Public du Salon, published in "Le Charivari" by Honoré DaumierArtists Examining the Work of a Rival (Artistes en train d'examiner le tableau d'un rival), from Le Public du Salon, published in "Le Charivari"Honoré Daumier · May 14, 1852Free · sharp to 9.9 × 12.4 in at 300 dpi, uncroppedGalileo, astonished by changes in the face of the earth, from "News of the Day" by Honoré DaumierGalileo, astonished by changes in the face of the earth, from "News of the Day"Honoré Daumier · February 21, 1867Free · sharp to 12 × 11.9 in at 300 dpi, uncroppedQui aime Bertrand aime son chien (He who loves Bertrand loves his dog), from "Proverbes et Maximes" by Honoré DaumierQui aime Bertrand aime son chien (He who loves Bertrand loves his dog), from "Proverbes et Maximes"Honoré Daumier · July 22, 1840Free · sharp to 9.4 × 12.2 in at 300 dpi, uncroppedLa Sainte Bible (vol. 1 and 2) by Gustave DoréLa Sainte Bible (vol. 1 and 2)Gustave Doré · 1866Free · sharp to 9.3 × 13.3 in at 300 dpi, uncroppedAdam and Eve by Albrecht DürerAdam and EveAlbrecht Dürer · 1504Free · sharp to 9.6 × 12.2 in at 300 dpi, uncroppedMelencolia I by Albrecht DürerMelencolia IAlbrecht Dürer · 1514Free · sharp to 9.4 × 11.9 in at 300 dpi, uncroppedCoat of Arms with a Skull by Albrecht DürerCoat of Arms with a SkullAlbrecht Dürer · 1503Free · sharp to 9.2 × 12.3 in at 300 dpi, uncroppedSamson Rending the Lion by Albrecht DürerSamson Rending the LionAlbrecht Dürer · ca. 1497–98Free · sharp to 9.1 × 12.3 in at 300 dpi, uncroppedThe Death of the Virgin, from the The Life of the Virgin by Albrecht DürerThe Death of the Virgin, from the The Life of the VirginAlbrecht Dürer · 1510Free · sharp to 8.8 × 12 in at 300 dpi, uncroppedThe Dream of the Doctor by Albrecht DürerThe Dream of the DoctorAlbrecht Dürer · ca. 1498Free · sharp to 6.8 × 10.4 in at 300 dpi, uncroppedThe Four Horsemen, from "The Apocalypse" by Albrecht DürerThe Four Horsemen, from "The Apocalypse"Albrecht Dürer · 1498Free · sharp to 9.3 × 12.7 in at 300 dpi, uncroppedThe Promenade by Albrecht DürerThe PromenadeAlbrecht Dürer · ca. 1498Free · sharp to 8.5 × 13.3 in at 300 dpi, uncroppedThe Whore of Babylon, from "The Apocalypse" by Albrecht DürerThe Whore of Babylon, from "The Apocalypse"Albrecht Dürer · 1498Free · sharp to 9.3 × 12.6 in at 300 dpi, uncroppedA Young Girl Astride a Satyr by Jean Honoré FragonardA Young Girl Astride a SatyrJean-Honoré Fragonard · n.d.Free · sharp to 12.1 × 8.4 in at 300 dpi, uncroppedFanfan by Jean Honoré FragonardFanfanJean-Honoré Fragonard · 1778Free · sharp to 8.7 × 12 in at 300 dpi, uncroppedNymph Astride a Satyr by Jean Honoré FragonardNymph Astride a SatyrJean-Honoré Fragonard · 1763Free · sharp to 11.7 × 8.9 in at 300 dpi, uncroppedNymph Supported by Two Satyrs by Jean Honoré FragonardNymph Supported by Two SatyrsJean-Honoré Fragonard · 1763Free · sharp to 11.9 × 8.8 in at 300 dpi, uncroppedThe Armoire by Jean Honoré FragonardThe ArmoireJean-Honoré Fragonard · 1778Free · sharp to 11.2 × 8.5 in at 300 dpi, uncroppedThe Satyr's Family by Jean Honoré FragonardThe Satyr's FamilyJean-Honoré Fragonard · 1763Free · sharp to 11.8 × 8.8 in at 300 dpi, uncroppedThe Satyrs' Dance by Jean Honoré FragonardThe Satyrs' DanceJean-Honoré Fragonard · 1763Free · sharp to 11.3 × 8.7 in at 300 dpi, uncroppedFootpath with a Bridge by Caspar David FriedrichFootpath with a BridgeCaspar David Friedrich · November 20–22, 1802(?)Free · sharp to 13.3 × 9.7 in at 300 dpi, uncroppedSite of a Fire by Caspar David FriedrichSite of a FireCaspar David Friedrich · September 29, 1802 (printed 1803 or later)Free · sharp to 13.3 × 9.7 in at 300 dpi, uncroppedPortrait of Stéphane Mallarmé by Paul GauguinPortrait of Stéphane MallarméPaul Gauguin · 1891Free · sharp to 8.9 × 11.6 in at 300 dpi, uncroppedSeated Giant by Goya (Francisco de Goya y Lucientes)Seated GiantFrancisco Goya · by 1818 (possibly 1814–18)Free · sharp to 8.4 × 12.1 in at 300 dpi, uncroppedA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes)A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"Francisco Goya · 1816Free · sharp to 12.4 × 9.1 in at 300 dpi, uncroppedA bad night (Mala noche), plate 36 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes)A bad night (Mala noche), plate 36 from "Los Caprichos"Francisco Goya · 1799Free · sharp to 8.7 × 13.3 in at 300 dpi, uncroppedA pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes)A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"Francisco Goya · 1799Free · sharp to 8.3 × 12.2 in at 300 dpi, uncroppedCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes)Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"Francisco Goya · 1816Free · sharp to 12.5 × 9.3 in at 300 dpi, uncroppedEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes)Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"Francisco Goya · 1799Free · sharp to 8.3 × 12.3 in at 300 dpi, uncroppedIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes)It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"Francisco Goya · 1799Free · sharp to 8.5 × 12.7 in at 300 dpi, uncroppedOut hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes)Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"Francisco Goya · 1799Free · sharp to 8.4 × 12.6 in at 300 dpi, uncroppedPlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.) by Goya (Francisco de Goya y Lucientes)Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)Francisco Goya · 1799Free · sharp to 8.9 × 12.5 in at 300 dpi, uncroppedTantalus (Tantalo), plate 9 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes)Tantalus (Tantalo), plate 9 from "Los Caprichos"Francisco Goya · 1799Free · sharp to 8.4 × 12.3 in at 300 dpi, uncroppedThe Caprices (Los Caprichos), plates 1-80 by Goya (Francisco de Goya y Lucientes)The Caprices (Los Caprichos), plates 1-80Francisco Goya · 1799Free · sharp to 9.7 × 13.3 in at 300 dpi, uncroppedThe agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes)The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"Francisco Goya · 1816Free · sharp to 12.4 × 9 in at 300 dpi, uncroppedAt the Prado by Edouard ManetAt the PradoÉdouard Manet · 1863, reworked ca. 1867Free · sharp to 8.7 × 12.2 in at 300 dpi, uncroppedDesign for the poster and cover for "The Raven" by Edgar Allan Poe by Edouard ManetDesign for the poster and cover for "The Raven" by Edgar Allan PoeÉdouard Manet · 1875Free · sharp to 10.6 × 12.1 in at 300 dpi, uncroppedOnce Upon a Midnight Dreary, from "The Raven" by Edgar Allan Poe by Edouard ManetOnce Upon a Midnight Dreary, from "The Raven" by Edgar Allan PoeÉdouard Manet · 1875Free · sharp to 13 × 8.6 in at 300 dpi, uncroppedOpen Here I Flung the Shutter, from "The Raven" by Edgar Allan Poe by Edouard ManetOpen Here I Flung the Shutter, from "The Raven" by Edgar Allan PoeÉdouard Manet · 1875Free · sharp to 8.4 × 12.9 in at 300 dpi, uncroppedPerched upon a Bust of Pallas, from "The Raven" by Edgar Allan Poe by Edouard ManetPerched upon a Bust of Pallas, from "The Raven" by Edgar Allan PoeÉdouard Manet · 1875Free · sharp to 8.5 × 12.9 in at 300 dpi, uncroppedPolichinelle by Edouard ManetPolichinelleÉdouard Manet · 1874Free · sharp to 9.9 × 13.3 in at 300 dpi, uncroppedPortrait of Edgar Allan Poe by Edouard ManetPortrait of Edgar Allan PoeÉdouard Manet · ca. 1860–62Free · sharp to 9.4 × 11.8 in at 300 dpi, uncroppedThe Flying Raven, Ex Libris for "The Raven" by Edgar Allan Poe by Edouard ManetThe Flying Raven, Ex Libris for "The Raven" by Edgar Allan PoeÉdouard Manet · 1875Free · sharp to 12.9 × 7 in at 300 dpi, uncroppedThe Shadow that Lies Floating on the Floor, from "The Raven" by Edgar Allan Poe by Edouard ManetThe Shadow that Lies Floating on the Floor, from "The Raven" by Edgar Allan PoeÉdouard Manet · 1875Free · sharp to 8.5 × 12.9 in at 300 dpi, uncroppedShepherdess Knitting by Jean-François MilletShepherdess KnittingJean-François Millet · 1862Free · sharp to 8.9 × 12 in at 300 dpi, uncroppedDuck and Reeds by Berthe MorisotDuck and ReedsBerthe Morisot · 1889Free · sharp to 10 × 12.3 in at 300 dpi, uncroppedGoose by Berthe MorisotGooseBerthe Morisot · 1889Free · sharp to 9.9 × 12.4 in at 300 dpi, uncroppedLandscape (Tree-trunks near a River) by Berthe MorisotLandscape (Tree-trunks near a River)Berthe Morisot · 1888Free · sharp to 9.8 × 12.2 in at 300 dpi, uncroppedSeated Nude Seen from Behind by Berthe MorisotSeated Nude Seen from BehindBerthe Morisot · 1889Free · sharp to 9.9 × 12.4 in at 300 dpi, uncroppedSwan and Duck, with Portraits of Julie by Berthe MorisotSwan and Duck, with Portraits of JulieBerthe Morisot · 1889Free · sharp to 12.3 × 9.8 in at 300 dpi, uncroppedThe Drawing Lesson (Berthe Morisot and her Daughter) by Berthe MorisotThe Drawing Lesson (Berthe Morisot and her Daughter)Berthe Morisot · 1889Free · sharp to 9.6 × 12.1 in at 300 dpi, uncroppedYoung Girl with a Cat, after a portrait of Julie Manet by Renoir by Berthe MorisotYoung Girl with a Cat, after a portrait of Julie Manet by RenoirBerthe Morisot · 1889Free · sharp to 9.8 × 12.4 in at 300 dpi, uncroppedYoung Woman Reclining by Berthe MorisotYoung Woman RecliningBerthe Morisot · 1889Free · sharp to 12.1 × 9.6 in at 300 dpi, uncroppedThe Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) by Giovanni Battista PiranesiThe Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)Giovanni Battista Piranesi · ca. 1749–50Free · sharp to 9.6 × 12.5 in at 300 dpi, uncroppedA sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses) by Giovanni Battista PiranesiA sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)Giovanni Battista Piranesi · ca. 1769Free · sharp to 8.2 × 12.2 in at 300 dpi, uncroppedBird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .) by Giovanni Battista PiranesiBird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .)Giovanni Battista Piranesi · 1769 (?)Free · sharp to 12.2 × 7.9 in at 300 dpi, uncroppedFrontispiece from "Prima Parte di Architetture, e Prospettive" by Giovanni Battista PiranesiFrontispiece from "Prima Parte di Architetture, e Prospettive"Giovanni Battista Piranesi · ca. 1750Free · sharp to 8.7 × 12.1 in at 300 dpi, uncroppedInterior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views) by Giovanni Battista PiranesiInterior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views)Giovanni Battista Piranesi · ca. 1748Free · sharp to 12.6 × 8.7 in at 300 dpi, uncroppedParte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect) by Giovanni Battista PiranesiParte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)Giovanni Battista Piranesi · ca. 1749–50Free · sharp to 12.4 × 9.2 in at 300 dpi, uncroppedSt. Giovanni in Laterano, Interior, from "Vedute di Roma" (Views of Rome) by Giovanni Battista PiranesiSt. Giovanni in Laterano, Interior, from "Vedute di Roma" (Views of Rome)Giovanni Battista Piranesi · ca. 1768Free · sharp to 13.3 × 8.6 in at 300 dpi, uncroppedThe Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons) by Giovanni Battista PiranesiThe Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons)Giovanni Battista Piranesi · ca. 1749–50Free · sharp to 9.5 × 12.5 in at 300 dpi, uncroppedThe Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres) by Giovanni Battista PiranesiThe Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres)Giovanni Battista Piranesi · 1720–78Free · sharp to 12.7 × 9.1 in at 300 dpi, uncroppedThe Triumphal Arch, from "Grotteschi" (Grotesques) by Giovanni Battista PiranesiThe Triumphal Arch, from "Grotteschi" (Grotesques)Giovanni Battista Piranesi · ca. 1748Free · sharp to 12.3 × 8.9 in at 300 dpi, uncroppedView of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views) by Giovanni Battista PiranesiView of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)Giovanni Battista Piranesi · ca. 1756Free · sharp to 12.6 × 9.9 in at 300 dpi, uncroppedDay (Le Jour), from the series, Dreams (Songes), plate VI by Odilon RedonDay (Le Jour), from the series, Dreams (Songes), plate VIOdilon Redon · 1891Free · sharp to 9.1 × 13.3 in at 300 dpi, uncroppedEyes Closed by Odilon RedonEyes ClosedOdilon Redon · 1890Free · sharp to 9.4 × 11.5 in at 300 dpi, uncroppedHaunting by Odilon RedonHauntingOdilon Redon · 1893–94Free · sharp to 8.4 × 13.3 in at 300 dpi, uncroppedThe Celestial Art by Odilon RedonThe Celestial ArtOdilon Redon · 1894Free · sharp to 10 × 12.1 in at 300 dpi, uncroppedThe Charger by Odilon RedonThe ChargerOdilon Redon · 1894Free · sharp to 9.6 × 11.8 in at 300 dpi, uncroppedThe Old Knight by Odilon RedonThe Old KnightOdilon Redon · 1896Free · sharp to 9.7 × 12.6 in at 300 dpi, uncroppedChrist Crucified between the Two Thieves: The Three Crosses by Rembrandt (Rembrandt van Rijn)Christ Crucified between the Two Thieves: The Three CrossesRembrandt · 1653Free · sharp to 12.7 × 11 in at 300 dpi, uncroppedReclining Female Nude by Rembrandt (Rembrandt van Rijn)Reclining Female NudeRembrandt · 1658Free · sharp to 12.2 × 6.3 in at 300 dpi, uncroppedAbraham Casting out Hagar and Ishmael by Rembrandt (Rembrandt van Rijn)Abraham Casting out Hagar and IshmaelRembrandt · 1637Free · sharp to 8.4 × 11 in at 300 dpi, uncroppedAbraham Entertaining the Angels by Rembrandt (Rembrandt van Rijn)Abraham Entertaining the AngelsRembrandt · 1656Free · sharp to 10.2 × 12.1 in at 300 dpi, uncroppedAbraham and Isaac by Rembrandt (Rembrandt van Rijn)Abraham and IsaacRembrandt · 1645Free · sharp to 9.6 × 11.8 in at 300 dpi, uncroppedChrist Presented to the People by Rembrandt (Rembrandt van Rijn)Christ Presented to the PeopleRembrandt · 1655Free · sharp to 6.5 × 5.4 in at 300 dpi, uncroppedChrist between his Parents, Returning from the Temple by Rembrandt (Rembrandt van Rijn)Christ between his Parents, Returning from the TempleRembrandt · 1654Free · sharp to 12.6 × 8.3 in at 300 dpi, uncroppedSaint Francis beneath a Tree, Praying by Rembrandt (Rembrandt van Rijn)Saint Francis beneath a Tree, PrayingRembrandt · 1657Free · sharp to 12.2 × 9.1 in at 300 dpi, uncroppedSt. Jerome Reading by Rembrandt (Rembrandt van Rijn)St. Jerome ReadingRembrandt · 1634Free · sharp to 9.5 × 11.9 in at 300 dpi, uncroppedThe Persian by Rembrandt (Rembrandt van Rijn)The PersianRembrandt · 1632Free · sharp to 8.2 × 11.2 in at 300 dpi, uncroppedThe Supper at Emmaus by Rembrandt (Rembrandt van Rijn)The Supper at EmmausRembrandt · 1654Free · sharp to 9.3 × 12.2 in at 300 dpi, uncroppedGirl by Egon SchieleGirlEgon Schiele · 1918Free · sharp to 13 × 9.4 in at 300 dpi, uncroppedPortrait of Arthur Roessler by Egon SchielePortrait of Arthur RoesslerEgon Schiele · 1914Free · sharp to 13 × 9.1 in at 300 dpi, uncroppedPortrait of Franz Hauer by Egon SchielePortrait of Franz HauerEgon Schiele · 1914Free · sharp to 10 × 12.8 in at 300 dpi, uncroppedPortrait of Paris von Gütersloh by Egon SchielePortrait of Paris von GüterslohEgon Schiele · 1918Free · sharp to 9.3 × 12.9 in at 300 dpi, uncroppedPortrait of a Man by Egon SchielePortrait of a ManEgon Schiele · 1914Free · sharp to 8.8 × 10.2 in at 300 dpi, uncroppedPortrait of a Woman by Egon SchielePortrait of a WomanEgon Schiele · 1910Free · sharp to 7.4 × 11.2 in at 300 dpi, uncroppedSorrow by Egon SchieleSorrowEgon Schiele · 1914Free · sharp to 8.4 × 12.4 in at 300 dpi, uncroppedSquatting Woman by Egon SchieleSquatting WomanEgon Schiele · 1914Free · sharp to 9.7 × 12.9 in at 300 dpi, uncroppedMoulin Rouge: La Goulue by Henri de Toulouse-LautrecMoulin Rouge: La GoulueHenri de Toulouse-Lautrec · 1891Free · sharp to 8.4 × 13.3 in at 300 dpi, uncroppedA Scene from Offenbach's La Belle Hélène by Henri de Toulouse-LautrecA Scene from Offenbach's La Belle HélèneHenri de Toulouse-Lautrec · 1900Free · sharp to 9.7 × 11.6 in at 300 dpi, uncroppedAristide Bruant (from Le Café Concert) by Henri de Toulouse-LautrecAristide Bruant (from Le Café Concert)Henri de Toulouse-Lautrec · 1893Free · sharp to 9.3 × 12.5 in at 300 dpi, uncroppedAt Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale" by Henri de Toulouse-LautrecAt Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"Henri de Toulouse-Lautrec · 1894Free · sharp to 9.4 × 11.9 in at 300 dpi, uncroppedAt the Curtain (Au Rideau), from "L'Estampe Originale" by Henri de Toulouse-LautrecAt the Curtain (Au Rideau), from "L'Estampe Originale"Henri de Toulouse-Lautrec · 1895Free · sharp to 13 × 9.3 in at 300 dpi, uncroppedCaudieux at the Petit Casino (from Le Café Concert) by Henri de Toulouse-LautrecCaudieux at the Petit Casino (from Le Café Concert)Henri de Toulouse-Lautrec · 1893Free · sharp to 9 × 12.3 in at 300 dpi, uncroppedCover Design for "Les Vieilles Histoires" by Henri de Toulouse-LautrecCover Design for "Les Vieilles Histoires"Henri de Toulouse-Lautrec · 1893Free · sharp to 13.3 × 10.1 in at 300 dpi, uncroppedEdmée Lescot (from Le Café Concert) by Henri de Toulouse-LautrecEdmée Lescot (from Le Café Concert)Henri de Toulouse-Lautrec · 1893Free · sharp to 9 × 12.3 in at 300 dpi, uncroppedFrontispiece - Yvette Guilbert before the Prompter's Box by Henri de Toulouse-LautrecFrontispiece - Yvette Guilbert before the Prompter's BoxHenri de Toulouse-Lautrec · 1898Free · sharp to 9.5 × 12.5 in at 300 dpi, uncroppedMadame Abdala, from "Le Café Concert" by Henri de Toulouse-LautrecMadame Abdala, from "Le Café Concert"Henri de Toulouse-Lautrec · 1893Free · sharp to 8.9 × 12.3 in at 300 dpi, uncroppedMarcelle Lender and Eva Lavalliére in a Revue at the Variétés by Henri de Toulouse-LautrecMarcelle Lender and Eva Lavalliére in a Revue at the VariétésHenri de Toulouse-Lautrec · 1895Free · sharp to 8.5 × 12.3 in at 300 dpi, uncroppedMary Hamilton (from Le Café Concert) by Henri de Toulouse-LautrecMary Hamilton (from Le Café Concert)Henri de Toulouse-Lautrec · 1893Free · sharp to 9.2 × 12.4 in at 300 dpi, uncroppedPaula Brébion (from Le Café Concert) by Henri de Toulouse-LautrecPaula Brébion (from Le Café Concert)Henri de Toulouse-Lautrec · 1893Free · sharp to 9.4 × 12.5 in at 300 dpi, uncroppedYvette Guilbert by Henri de Toulouse-LautrecYvette GuilbertHenri de Toulouse-Lautrec · 1894Free · sharp to 13.3 × 11.6 in at 300 dpi, uncroppedThe Churner by William Merritt ChaseThe ChurnerWilliam Merritt Chase · ca. 1886Free · sharp to 8.7 × 11.9 in at 300 dpi, uncroppedThe Rhinoceros by Albrecht DürerThe RhinocerosAlbrecht Dürer · 1515Free · sharp to 13.3 × 10.5 in at 300 dpi, uncroppedMelencolia I by Albrecht DürerMelencolia IAlbrecht Dürer · 1514Free · sharp to 16.4 × 20.9 in at 300 dpi, uncroppedDiscomedusae (Kunstformen der Natur) by Ernst HaeckelDiscomedusae (Kunstformen der Natur)Ernst Haeckel · 1904Free · sharp to 7.7 × 11 in at 300 dpi, uncroppedThe Plum-Pudding in Danger by James GillrayThe Plum-Pudding in DangerJames Gillray · 1805Free · sharp to 12.3 × 8.9 in at 300 dpi, uncroppedA Voluptuary Under the Horrors of Digestion by James GillrayA Voluptuary Under the Horrors of DigestionJames Gillray · 1792Free · sharp to 9.5 × 11.8 in at 300 dpi, uncroppedBeer Street by William HogarthBeer StreetWilliam Hogarth · 1751Free · sharp to 13.3 × 15.6 in at 300 dpi, uncroppedThe Destruction of Leviathan by Gustave DoréThe Destruction of LeviathanGustave Doré · 1865Free · sharp to 7.7 × 9.7 in at 300 dpi, uncropped

Printing this set

Fine line work lives or dies on file sharpness, so read the dpi column on each page. These are usually small on the original sheet, which makes a modest print size more faithful than a poster.

The largest scan in this set is Melencolia I by Albrecht Dürer, at 4,918 × 6,257 pixels (30.8 MP): 16.4 × 20.9 in at 300 dpi, or 32.8 × 41.7 in at poster sharpness. Every file links to the museum's own CC0 original, and every page has a size chart against standard frames.

Not sure what fits your wall? The wall fitter sizes a frame to your furniture and shows which of these works fill it with or without a mat.

Artists in this set

Henri de Toulouse-Lautrec (14), Francisco Goya (12), Albrecht Dürer (11), Giovanni Battista Piranesi (11), Rembrandt (11), William Blake (10), Édouard Manet (9), Pieter Bruegel the Elder (8), Berthe Morisot (8), Egon Schiele (8), Jean-Honoré Fragonard (7), Odilon Redon (6) and 12 more.