Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 239 | Sharp up close | 1% |
| 11 × 14 in | 170 | Poster sharp | 2% |
| 12 × 16 in | 149 | Fine across a room | 7% |
| 16 × 20 in | 119 | Fine across a room | 1% |
| 18 × 24 in | 99 | Too soft | 7% |
| 24 × 36 in | 66 | Too soft | 17% |
| 30 × 40 in | 59 | Too soft | 7% |
The ticket
Bust of a Young Woman with Hat, Wine Glass (from Sketchbook) is a work on paper by James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), dated 1854–55. Black ink and graphite on off-white wove paper. Size on the museum record: 4 9/16 x 5 9/16 in. (11.6 x 14.1 cm). The Metropolitan Museum of Art holds it in its The American Wing collection — Gift of Margaret C. Buell, Helen L. King, and Sybil A. Walk, 1970.
In The Met's records, Bust of a Young Woman with Hat, Wine Glass (from Sketchbook) is a black ink and graphite on off-white wove paper credited to James McNeill Whistler. The museum dates it 1854–55 (accession 1970.121.7, The American Wing). The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 1,925 × 2,393 pixels, which prints about 6.4 × 8.0 in at 300 dpi and 12.8 × 16.0 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 1,925 × 2,393 pixels — 4.6 megapixels — good for a gallery-sharp print up to 6.4 × 8 in. That is bigger than the work on paper itself, which measures about 5.6 × 4.6 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- James McNeill Whistler
- Date
- 1854–55
- Medium
- Black ink and graphite on off-white wove paper
- Size
- 4 9/16 x 5 9/16 in. (11.6 x 14.1 cm)
- Museum
- The Met · The American Wing
- Accession
- 1970.121.7
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More James McNeill Whistler
All 14 →
40 and 50 (Man and Woman Seated) (from Sketchbook)1854–55Free · sharp to 6.3 × 8.4 in at 300 dpi, uncropped
After Dinner (Possibly Ross Winans) (from Sketchbook)1854–55Free · sharp to 6.4 × 8 in at 300 dpi, uncropped
Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain1876, reworked 1885Free · sharp to 6.8 × 13.3 in at 300 dpi, uncropped
Arrangement in Black: Girl Readingca. 1880–90Free · sharp to 9.6 × 12.9 in at 300 dpi, uncropped