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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 338 | Gallery sharp | 8% |
| 11 × 14 in | 246 | Sharp up close | 7% |
| 12 × 16 in | 225 | Sharp up close | 2% |
| 16 × 20 in | 169 | Poster sharp | 8% |
| 18 × 24 in | 150 | Poster sharp | 2% |
| 24 × 36 in | 102 | Fine across a room | 9% |
| 30 × 40 in | 90 | Too soft | 2% |
The ticket
Edmée Lescot (from Le Café Concert) is a print by Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), dated 1893. Brush, crayon, and spatter lithograph printed in black on wove paper; only state. Size on the museum record: Image: 10 5/8 × 7 1/2 in. (27 × 19 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Harris Brisbane Dick Fund, 1923.
In The Met's records, Edmée Lescot (from Le Café Concert) is a brush, crayon, and spatter lithograph printed in black on wove paper; only state credited to Henri de Toulouse-Lautrec. The museum dates it 1893; it sits in the Drawings and Prints department as accession 23.30.3.5. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 2,709 × 3,688 pixels, which prints about 9.0 × 12.3 in at 300 dpi and 18.1 × 24.6 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,709 × 3,688 pixels — 10 megapixels — good for a gallery-sharp print up to 9 × 12.3 in. That is bigger than the print itself, which measures about 7.5 × 10.6 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Henri de Toulouse-Lautrec
- Date
- 1893
- Medium
- Brush, crayon, and spatter lithograph printed in black on wove paper; only state
- Size
- Image: 10 5/8 × 7 1/2 in. (27 × 19 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 23.30.3.5
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Henri de Toulouse-Lautrec
All 14 →
Moulin Rouge: La Goulue1891Free · sharp to 8.4 × 13.3 in at 300 dpi, uncropped
A Scene from Offenbach's La Belle Hélène1900Free · sharp to 9.7 × 11.6 in at 300 dpi, uncropped
Aristide Bruant (from Le Café Concert)1893Free · sharp to 9.3 × 12.5 in at 300 dpi, uncropped
At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"1894Free · sharp to 9.4 × 11.9 in at 300 dpi, uncropped