Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 396 | Gallery sharp | 7% |
| 11 × 14 in | 283 | Sharp up close | 9% |
| 12 × 16 in | 248 | Sharp up close | 13% |
| 16 × 20 in | 198 | Poster sharp | 7% |
| 18 × 24 in | 165 | Poster sharp | 13% |
| 24 × 36 in | 110 | Fine across a room | 23% |
| 30 × 40 in | 99 | Too soft | 13% |
The ticket
Juan de Pareja (ca. 1608–1670) is a painting by Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid), dated 1650. Oil on canvas. Size on the museum record: 32 x 27 1/2 in. (81.3 x 69.9 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Purchase, Fletcher and Rogers Funds, and Bequest of Miss Adelaide Milton de Groot (1876-1967), by exchange, supplemented by gifts from friends of the Museum, 1971.
The Met catalogs Juan de Pareja (ca. 1608–1670) as an oil on canvas by Velázquez (Diego Rodríguez de Silva y Velázquez). The museum dates it 1650, and files it under accession 1971.86 in European Paintings. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,427 × 3,968 pixels, which prints about 11.4 × 13.2 in at 300 dpi and 22.8 × 26.5 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,427 × 3,968 pixels — 13.6 megapixels — good for a gallery-sharp print up to 11.4 × 13.2 in. The painting itself measures about 27.5 × 32 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Velázquez (Diego Rodríguez de Silva y Velázquez)
- Date
- 1650
- Medium
- Oil on canvas
- Size
- 32 x 27 1/2 in. (81.3 x 69.9 cm)
- Museum
- The Met · European Paintings
- Accession
- 1971.86
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Diego Velázquez
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María Teresa (1638–1683), Infanta of Spain1651–54Free · sharp to 13.3 × 11.4 in at 300 dpi, uncropped
Philip IV (1605–1665), King of Spainprobably 1624Free · sharp to 6.7 × 12.9 in at 300 dpi, uncropped
Portrait of a Man, Possibly a Self-Portraitca. 1635Free · sharp to 10.3 × 12.9 in at 300 dpi, uncropped
The Supper at Emmaus1622–23Free · sharp to 11.8 × 11 in at 300 dpi, uncropped