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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 335 | Gallery sharp | 9% |
| 11 × 14 in | 244 | Sharp up close | 7% |
| 12 × 16 in | 223 | Sharp up close | 3% |
| 16 × 20 in | 167 | Poster sharp | 9% |
| 18 × 24 in | 149 | Fine across a room | 3% |
| 24 × 36 in | 102 | Fine across a room | 8% |
| 30 × 40 in | 89 | Too soft | 3% |
The ticket
Madame Abdala, from "Le Café Concert" is a print by Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), dated 1893. Brush and spatter lithograph with scraper printed in black on wove paper; only state. Size on the museum record: Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) Image: 10 5/8 × 7 7/8 in. (27 × 20 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Harris Brisbane Dick Fund, 1923.
Madame Abdala, from "Le Café Concert" is a brush and spatter lithograph with scraper printed in black on wove paper; only state by Henri de Toulouse-Lautrec, part of The Met's open-access collection. The museum dates it 1893 (accession 23.30.3.6, Drawings and Prints). The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,684 × 3,691 pixels, which prints about 8.9 × 12.3 in at 300 dpi and 17.9 × 24.6 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,684 × 3,691 pixels — 9.9 megapixels — good for a gallery-sharp print up to 8.9 × 12.3 in. The print itself measures about 12.6 × 17.3 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Henri de Toulouse-Lautrec
- Date
- 1893
- Medium
- Brush and spatter lithograph with scraper printed in black on wove paper; only state
- Size
- Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) Image: 10 5/8 × 7 7/8 in. (27 × 20 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 23.30.3.6
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Henri de Toulouse-Lautrec
All 14 →
Moulin Rouge: La Goulue1891Free · sharp to 8.4 × 13.3 in at 300 dpi, uncropped
A Scene from Offenbach's La Belle Hélène1900Free · sharp to 9.7 × 11.6 in at 300 dpi, uncropped
Aristide Bruant (from Le Café Concert)1893Free · sharp to 9.3 × 12.5 in at 300 dpi, uncropped
At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"1894Free · sharp to 9.4 × 11.9 in at 300 dpi, uncropped