Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 328 | Gallery sharp | 9% |
| 11 × 14 in | 238 | Sharp up close | 7% |
| 12 × 16 in | 218 | Sharp up close | 2% |
| 16 × 20 in | 164 | Poster sharp | 9% |
| 18 × 24 in | 145 | Fine across a room | 2% |
| 24 × 36 in | 99 | Too soft | 9% |
| 30 × 40 in | 87 | Too soft | 2% |
The ticket
Mathurin Régnier is a work on paper by Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), dated ca. 1846. Watercolor and gouache over traces of graphite on wove paper. Size on the museum record: 12-1/8 x 8-13/16 in. (30.8 x 22.4 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1969.
In The Met's records, Mathurin Régnier is a watercolor and gouache over traces of graphite on wove paper credited to Eugène Delacroix. The museum dates it ca. 1846 (accession 69.180, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,625 × 3,587 pixels, which prints about 8.8 × 12.0 in at 300 dpi and 17.5 × 23.9 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,625 × 3,587 pixels — 9.4 megapixels — good for a gallery-sharp print up to 8.8 × 12 in. That is roughly life-size: the work on paper itself measures about 8.8 × 12.1 in.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Eugène Delacroix
- Date
- ca. 1846
- Medium
- Watercolor and gouache over traces of graphite on wove paper
- Size
- 12-1/8 x 8-13/16 in. (30.8 x 22.4 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 69.180
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Eugène Delacroix
All 14 →
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters1832Free · sharp to 8.3 × 11.3 in at 300 dpi, uncropped
A Moroccan Couple on Their Terrace1832Free · sharp to 6.4 × 4.7 in at 300 dpi, uncropped
Arch of Morning Glories, Study for "A Basket of Flowers"1848–49Free · sharp to 12.9 × 8.8 in at 300 dpi, uncropped
Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?)Free · sharp to 9.1 × 11.1 in at 300 dpi, uncropped