Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters1832Free · sharp to 8×11 in
Arch of Morning Glories, Study for "A Basket of Flowers"1848–49Free · sharp to 12×8 in
Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?)Free · sharp to 9×11 in
Sketchbook with views of Tours, France and its environs1828–29Free · sharp to 13×8 in
Studies of Animals1810–63Free · sharp to 8×12 in
Studies of HorsesFree · sharp to 8×11 in
Studies of a Damned Man, for "The Barque of Dante"1822Free · sharp to 11×9 in
Studies of a Goat1798–1863Free · sharp to 10×7 in
Study for an allegorical figure of Justice in the ceiling decoration of the Salon du Roi, Palais Bourbon (recto); studies of allegorical figures, and architectural sketches (verso)1833Free · sharp to 12×8 in
The Triumph of Genius over Envyca. 1849–51Free · sharp to 12×9 inReading the board
Each card shows the largest print the Met's file makes at 300 dpi without cropping — that's the sharpness you'd want for something you'll stand close to. The biggest file in this set isThe Triumph of Genius over Envy, at 3,712 × 2,887 pixels: enough for a 12.4 × 9.6 in print at 300 dpi, or 24.7 × 19.2 in at poster sharpness.
The Met flags one of these as a collection highlight: Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters.
Every page has a size chart against standard frames, the museum record, and the frame and light that make a print look like it cost more than it did. The file itself is free. It always was.