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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 155 | Poster sharp | 60% |
| 14 × 11 in | 113 | Fine across a room | 60% |
| 16 × 12 in | 103 | Fine across a room | 58% |
| 20 × 16 in | 77 | Too soft | 60% |
| 24 × 18 in | 69 | Too soft | 58% |
| 36 × 24 in | 51 | Too soft | 52% |
| 40 × 30 in | 41 | Too soft | 58% |
The ticket
New Year's Day at the Ōgiya Brothel, Yoshiwara is a woodblock print by Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), dated ca. 1804. Pentaptych of woodblock prints; ink and color on paper. Size on the museum record: Oban, pentaptych: 14 15/32 x 48 1/2 in. (36.8 x 123.2 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — Rogers Fund, 1914.
New Year's Day at the Ōgiya Brothel, Yoshiwara is a pentaptych of woodblock prints; ink and color on paper by Katsushika Hokusai, part of The Met's open-access collection. The museum dates it ca. 1804 (accession JP29a–e, Asian Art). Its flat colour areas and strong outlines hold up from across a room, which is the whole point of the woodblock tradition. The Met's scan measures 3,913 × 1,245 pixels, which prints about 13.0 × 4.2 in at 300 dpi and 26.1 × 8.3 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,913 × 1,245 pixels — 4.9 megapixels — good for a gallery-sharp print up to 13 × 4.2 in. The woodblock print itself measures about 48.5 × 14.5 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.
On the receipt
- Artist
- Katsushika Hokusai
- Date
- ca. 1804
- Medium
- Pentaptych of woodblock prints; ink and color on paper
- Size
- Oban, pentaptych: 14 15/32 x 48 1/2 in. (36.8 x 123.2 cm)
- Museum
- The Met · Asian Art
- Accession
- JP29a–e
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Katsushika Hokusai
All 15 →
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)ca. 1830–32Free · sharp to 12.9 × 8.8 in at 300 dpi, uncropped
Album of Sketches by Katsushika Hokusai and His Disciples19th centuryFree · sharp to 9.2 × 13.3 in at 300 dpi, uncropped
Black Shōki, the Demon Queller1849Free · sharp to 5.9 × 13.3 in at 300 dpi, uncropped
Drunken Asainaca. 1810Free · sharp to 13.3 × 10 in at 300 dpi, uncropped