Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)ca. 1830–32Free · sharp to 12×8 in
Album of Sketches by Katsushika Hokusai and His Disciples19th centuryFree · sharp to 9×13 in
Black Shōki, the Demon Queller1849Free · sharp to 5×13 in
Drunken Asainaca. 1810Free · sharp to 13×10 in
Fisherman19th centuryFree · sharp to 6×13 in
Gamecocksdated 1838Free · sharp to 6×5 in
Guan Yu, Chinese God of War19th centuryFree · sharp to 6×13 in
In Front of a Shopdated 1780Free · sharp to 7×13 in
Red Zhong Kui, the Demon Queller1846Free · sharp to 9×12 in
Woman Spinning Silkdated 1790Free · sharp to 6×12 inReading the board
Each card shows the largest print the Met's file makes at 300 dpi without cropping — that's the sharpness you'd want for something you'll stand close to. The biggest file in this set isDrunken Asaina, at 4,000 × 3,000 pixels: enough for a 13.3 × 10 in print at 300 dpi, or 26.7 × 20 in at poster sharpness.
The Met flags one of these as a collection highlight: Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei).
Every page has a size chart against standard frames, the museum record, and the frame and light that make a print look like it cost more than it did. The file itself is free. It always was.
House specials
Katsushika Hokusai also has a hand-written page on the main board: The Great Wave off Kanagawa.