What is the largest sharp print size for Ochanomizu in the Rain?

At 300 dpi, this 3,860 × 2,683 px file prints up to 12.9 × 8.9 in with gallery-sharp detail. At 150 dpi the file reaches 25.7 × 17.9 in, which is poster-sharp quality.

Which standard frame sizes give gallery-sharp prints of Ochanomizu in the Rain?

Gallery-sharp (300 dpi or above) frame sizes: 10 × 8 in. Sharp-to-poster-quality sizes also work: 14 × 11 in, 16 × 12 in, 20 × 16 in.

Does printing Ochanomizu in the Rain require cropping the image?

Standard frame aspect ratios may not match this artwork exactly; depending on the size chosen, up to 13% of the image could be cropped. Most print-on-demand services let you adjust the crop position or add a white mat border instead.

Ochanomizu in the Rain — Utagawa Kuniyoshi | Free high-res download

Ochanomizu in the Rain

Utagawa Kuniyoshi · mid-19th century · The Met, New York

Public domain · CC0 · $0.003,860 × 2,683 px · 10.4 MP

Prints gallery-sharp up to12.9 × 8.9 inat 300 dpi, uncropped · poster-sharp to 25.7 × 17.9 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Build the wall set

Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

Frame	Effective dpi	Verdict	Crops
10 × 8 in	335	Gallery sharp	13%
14 × 11 in	243	Sharp up close	12%
16 × 12 in	223	Sharp up close	7%
20 × 16 in	167	Poster sharp	13%
24 × 18 in	149	Fine across a room	7%
36 × 24 in	107	Fine across a room	4%
40 × 30 in	89	Too soft	7%

Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Ochanomizu in the Rain is a woodblock print by Utagawa Kuniyoshi (Japanese, 1797–1861), dated mid-19th century. Woodblock print; ink and color on paper. Size on the museum record: H. 10 1/4 in. (26 cm); W. 13 3/4 in. (34.9 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — The Howard Mansfield Collection, Purchase, Rogers Fund, 1936.

Ochanomizu in the Rain is a woodblock print; ink and color on paper by Utagawa Kuniyoshi, part of The Met's open-access collection. The museum dates it mid-19th century, and files it under accession JP2633 in Asian Art. Its flat colour areas and strong outlines hold up from across a room, which is the whole point of the woodblock tradition. The Met's scan measures 3,860 × 2,683 pixels, which prints about 12.9 × 8.9 in at 300 dpi and 25.7 × 17.9 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,860 × 2,683 pixels — 10.4 megapixels — good for a gallery-sharp print up to 12.9 × 8.9 in. Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.