Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 346 | Gallery sharp | nothing |
| 14 × 11 in | 248 | Sharp up close | 1% |
| 16 × 12 in | 217 | Sharp up close | 6% |
| 20 × 16 in | 173 | Poster sharp | nothing |
| 24 × 18 in | 144 | Fine across a room | 6% |
| 36 × 24 in | 96 | Too soft | 16% |
| 40 × 30 in | 86 | Too soft | 6% |
The ticket
Pauline Viardot Gambling at Baden-Baden is a work on paper by Gustave Doré (French, Strasbourg 1832–1883 Paris), dated 1862. Graphite, pen and gray and brown ink, brush and brown and gray wash, heightened with white and gray gouache. Size on the museum record: Sheet: 9 1/16 × 11 7/16 in. (23 × 29 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of James David Draper, from the Robert Isaacson Collection, 2014.
Pauline Viardot Gambling at Baden-Baden is a graphite, pen and gray and brown ink, brush and brown and gray wash, heightened with white and gray gouache by Gustave Doré, part of The Met's open-access collection. The museum dates it 1862; it sits in the Drawings and Prints department as accession 2014.643.6. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,474 × 2,771 pixels, which prints about 11.6 × 9.2 in at 300 dpi and 23.2 × 18.5 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,474 × 2,771 pixels — 9.6 megapixels — good for a gallery-sharp print up to 11.6 × 9.2 in. That is roughly life-size: the work on paper itself measures about 11.4 × 9.1 in.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Gustave Doré
- Date
- 1862
- Medium
- Graphite, pen and gray and brown ink, brush and brown and gray wash, heightened with white and gray gouache
- Size
- Sheet: 9 1/16 × 11 7/16 in. (23 × 29 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 2014.643.6
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Gustave Doré
All 10 →
A Costumed Actor in Front of a CurtainFree · sharp to 9 × 11.5 in at 300 dpi, uncropped
A Rider and a Dead Horse in a LandscapeFree · sharp to 8.9 × 11.2 in at 300 dpi, uncropped
Christ Leaving the Tomb1869Free · sharp to 12.7 × 7.6 in at 300 dpi, uncropped
Don Quixote and Sancho Panza Entertained by Basil and Quiteria1863?Free · sharp to 10.3 × 12.9 in at 300 dpi, uncropped