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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 354 | Gallery sharp | 3% |
| 11 × 14 in | 257 | Sharp up close | 1% |
| 12 × 16 in | 227 | Sharp up close | 3% |
| 16 × 20 in | 177 | Poster sharp | 3% |
| 18 × 24 in | 151 | Poster sharp | 3% |
| 24 × 36 in | 101 | Fine across a room | 14% |
| 30 × 40 in | 91 | Too soft | 3% |
The ticket
Qui aime Bertrand aime son chien (He who loves Bertrand loves his dog), from "Proverbes et Maximes" is a print by Honoré Daumier (French, Marseilles 1808–1879 Valmondois), dated July 22, 1840. Lithograph; third state of three (Delteil). Size on the museum record: Sheet: 13 3/8 × 10 1/4 in. (34 × 26 cm) Image: 9 1/4 × 7 3/8 in. (23.5 × 18.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of Mrs. Howard W. Geiger, in memory of Howard W. Geiger, 1995.
In The Met's records, Qui aime Bertrand aime son chien (He who loves Bertrand loves his dog), from "Proverbes et Maximes" is a lithograph; third state of three (delteil) credited to Honoré Daumier. The museum dates it July 22, 1840, and files it under accession 1995.228.1 in Drawings and Prints. Animals give it an immediate focal point, which suits a hallway or a reading corner where people pass close by. The Met's scan measures 2,834 × 3,647 pixels, which prints about 9.4 × 12.2 in at 300 dpi and 18.9 × 24.3 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,834 × 3,647 pixels — 10.3 megapixels — good for a gallery-sharp print up to 9.4 × 12.2 in. That is roughly life-size: the print itself measures about 10.2 × 13.4 in.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Honoré Daumier
- Date
- July 22, 1840
- Medium
- Lithograph; third state of three (Delteil)
- Size
- Sheet: 13 3/8 × 10 1/4 in. (34 × 26 cm) Image: 9 1/4 × 7 3/8 in. (23.5 × 18.8 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 1995.228.1
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Honoré Daumier
All 14 →
A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso)ca. 1865Free · sharp to 9.6 × 12.1 in at 300 dpi, uncropped
A Theater Audience19th centuryFree · sharp to 9.1 × 10.5 in at 300 dpi, uncropped
Allons haut! Y sommes-nous?, from "La Chasse"November 11, 1843Free · sharp to 9.4 × 12.1 in at 300 dpi, uncropped
Artists Examining the Work of a Rival (Artistes en train d'examiner le tableau d'un rival), from Le Public du Salon, published in "Le Charivari"May 14, 1852Free · sharp to 9.9 × 12.4 in at 300 dpi, uncropped