Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 371 | Gallery sharp | 1% |
| 11 × 14 in | 265 | Sharp up close | 3% |
| 12 × 16 in | 232 | Sharp up close | 7% |
| 16 × 20 in | 185 | Poster sharp | 1% |
| 18 × 24 in | 154 | Poster sharp | 7% |
| 24 × 36 in | 103 | Fine across a room | 18% |
| 30 × 40 in | 92 | Too soft | 7% |
The ticket
Rue de l'Epicerie, Rouen (Effect of Sunlight) is a painting by Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), dated 1898. Oil on canvas. Size on the museum record: 32 x 25 5/8 in. (81.3 x 65.1 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Purchase, Mr. and Mrs. Richard J. Bernhard Gift, 1960.
Rue de l'Epicerie, Rouen (Effect of Sunlight) is an oil on canvas by Camille Pissarro, part of The Met's open-access collection. The museum dates it 1898, and files it under accession 60.5 in European Paintings. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,009 × 3,719 pixels, which prints about 10.0 × 12.4 in at 300 dpi and 20.1 × 24.8 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,009 × 3,719 pixels — 11.2 megapixels — good for a gallery-sharp print up to 10 × 12.4 in. The painting itself measures about 25.6 × 32 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Camille Pissarro
- Date
- 1898
- Medium
- Oil on canvas
- Size
- 32 x 25 5/8 in. (81.3 x 65.1 cm)
- Museum
- The Met · European Paintings
- Accession
- 60.5
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Camille Pissarro
All 14 →
Jalais Hill, Pontoise1867Free · sharp to 12.7 × 9.7 in at 300 dpi, uncropped
A Cowherd at Valhermeil, Auvers-sur-Oise1874Free · sharp to 12.7 × 7.7 in at 300 dpi, uncropped
A Washerwoman at Eragny1893Free · sharp to 10.3 × 12.4 in at 300 dpi, uncropped
Barges at Pontoise1876Free · sharp to 13.3 × 11.1 in at 300 dpi, uncropped