Jalais Hill, Pontoise1867Free · sharp to 12×9 in
A Cowherd at Valhermeil, Auvers-sur-Oise1874Free · sharp to 12×7 in
A Washerwoman at Eragny1893Free · sharp to 10×12 in
Barges at Pontoise1876Free · sharp to 13×11 in
Bather in the Woods1895Free · sharp to 12×10 in
Morning, An Overcast Day, Rouen1896Free · sharp to 12×10 in
Poplars, Eragny1895Free · sharp to 8×12 in
The Public Garden at Pontoise1874Free · sharp to 12×10 in
Two Young Peasant Women1891–92Free · sharp to 12×9 in
Washerwoman, Study1880Free · sharp to 10×13 inReading the board
Each card shows the largest print the Met's file makes at 300 dpi without cropping — that's the sharpness you'd want for something you'll stand close to. The biggest file in this set isBarges at Pontoise, at 4,000 × 3,319 pixels: enough for a 13.3 × 11.1 in print at 300 dpi, or 26.7 × 22.1 in at poster sharpness.
The Met flags one of these as a collection highlight: Jalais Hill, Pontoise.
Every page has a size chart against standard frames, the museum record, and the frame and light that make a print look like it cost more than it did. The file itself is free. It always was.