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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 352 | Gallery sharp | 9% |
| 14 × 11 in | 256 | Sharp up close | 7% |
| 16 × 12 in | 234 | Sharp up close | 3% |
| 20 × 16 in | 176 | Poster sharp | 9% |
| 24 × 18 in | 156 | Poster sharp | 3% |
| 36 × 24 in | 107 | Fine across a room | 9% |
| 40 × 30 in | 93 | Too soft | 3% |
The ticket
Scene from a Ghost Story: The Okazaki Cat Demon is a woodblock print by Utagawa Kuniyoshi (Japanese, 1797–1861), dated ca. 1850. Diptych of woodblock prints; ink and color on paper. Size on the museum record: A: H. 14 3/8 in. (36.5 cm); W. 10 in. (25.4 cm) B: H. 14 3/8 in. (36.5 cm); W. 10 in. (25.4 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — Fletcher Fund, 1929.
In The Met's records, Scene from a Ghost Story: The Okazaki Cat Demon is a diptych of woodblock prints; ink and color on paper credited to Utagawa Kuniyoshi. The museum dates it ca. 1850, and files it under accession JP1563 in Asian Art. Animals give it an immediate focal point, which suits a hallway or a reading corner where people pass close by. The Met's scan measures 3,863 × 2,819 pixels, which prints about 12.9 × 9.4 in at 300 dpi and 25.8 × 18.8 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,863 × 2,819 pixels — 10.9 megapixels — good for a gallery-sharp print up to 12.9 × 9.4 in. Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.
On the receipt
- Artist
- Utagawa Kuniyoshi
- Date
- ca. 1850
- Medium
- Diptych of woodblock prints; ink and color on paper
- Size
- A: H. 14 3/8 in. (36.5 cm); W. 10 in. (25.4 cm) B: H. 14 3/8 in. (36.5 cm); W. 10 in. (25.4 cm)
- Museum
- The Met · Asian Art
- Accession
- JP1563
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Utagawa Kuniyoshi
All 17 →
Asakusa Imadoca. 1840Free · sharp to 12.9 × 9 in at 300 dpi, uncropped
Boys Play-acting a Daimyo Procession19th centuryFree · sharp to 13.3 × 6.4 in at 300 dpi, uncropped
Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island1835–36Free · sharp to 6.4 × 4.2 in at 300 dpi, uncropped
Concise Illustrated Biography of Monk Nichiren: Prayer for Rain Answered at Ryōzengasaki in Kamakura1835–36Free · sharp to 6.4 × 4.5 in at 300 dpi, uncropped