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Signora Gomez d'Arza

Thomas Eakins · 1901–2 · The Met, New York

Public domain · CC0 · $0.003,046 × 3,716 px · 11.3 MP
Prints gallery-sharp up to10.2 × 12.4 inat 300 dpi, uncropped · poster-sharp to 20.3 × 24.8 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Signora Gomez d'Arza by Thomas Eakins, 1901–2
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Signora Gomez d'Arza in a frame
16 × 20 in
Signora Gomez d'ArzaThomas Eakins · 1901–2
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in371Gallery sharp2%
11 × 14 in265Sharp up close4%
12 × 16 in232Sharp up close9%
16 × 20 in185Poster sharp2%
18 × 24 in154Poster sharp9%
24 × 36 in103Fine across a room19%
30 × 40 in92Too soft9%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Signora Gomez d'Arza is a painting by Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania), dated 1901–2. Oil on canvas. Size on the museum record: 30 x 24 in. (76.2 x 61 cm). The Metropolitan Museum of Art holds it in its The American Wing collection — George A. Hearn Fund, 1927.

Signora Gomez d'Arza is an oil on canvas by Thomas Eakins, part of The Met's open-access collection. The museum dates it 1901–2 (accession 27.220, The American Wing). People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,046 × 3,716 pixels, which prints about 10.2 × 12.4 in at 300 dpi and 20.3 × 24.8 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,046 × 3,716 pixels — 11.3 megapixels — good for a gallery-sharp print up to 10.2 × 12.4 in. The painting itself measures about 24 × 30 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
Thomas Eakins
Date
1901–2
Medium
Oil on canvas
Size
30 x 24 in. (76.2 x 61 cm)
Museum
The Met · The American Wing
Accession
27.220
License
Public domain · CC0 1.0
Source
Museum record ↗