Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 400 | Gallery sharp | 1% |
| 14 × 11 in | 285 | Sharp up close | 3% |
| 16 × 12 in | 250 | Sharp up close | 7% |
| 20 × 16 in | 200 | Sharp up close | 1% |
| 24 × 18 in | 166 | Poster sharp | 7% |
| 36 × 24 in | 111 | Fine across a room | 17% |
| 40 × 30 in | 100 | Fine across a room | 7% |
The ticket
The Boulevard Montmartre on a Winter Morning is a painting by Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), dated 1897. Oil on canvas. Size on the museum record: 25 1/2 x 32 in. (64.8 x 81.3 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Gift of Katrin S. Vietor, in loving memory of Ernest G. Vietor, 1960.
The Met catalogs The Boulevard Montmartre on a Winter Morning as an oil on canvas by Camille Pissarro. The museum dates it 1897, and files it under accession 60.174 in European Paintings. The subject is a view, and the eye travels from the foreground to the distance; give it wall space so that route stays readable. The Met's scan measures 4,000 × 3,230 pixels, which prints about 13.3 × 10.8 in at 300 dpi and 26.7 × 21.5 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 4,000 × 3,230 pixels — 12.9 megapixels — good for a gallery-sharp print up to 13.3 × 10.8 in. The painting itself measures about 32 × 25.5 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Camille Pissarro
- Date
- 1897
- Medium
- Oil on canvas
- Size
- 25 1/2 x 32 in. (64.8 x 81.3 cm)
- Museum
- The Met · European Paintings
- Accession
- 60.174
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Camille Pissarro
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Jalais Hill, Pontoise1867Free · sharp to 12.7 × 9.7 in at 300 dpi, uncropped
A Cowherd at Valhermeil, Auvers-sur-Oise1874Free · sharp to 12.7 × 7.7 in at 300 dpi, uncropped
A Washerwoman at Eragny1893Free · sharp to 10.3 × 12.4 in at 300 dpi, uncropped
Barges at Pontoise1876Free · sharp to 13.3 × 11.1 in at 300 dpi, uncropped