Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 191 | Poster sharp | 4% |
| 14 × 11 in | 139 | Fine across a room | 3% |
| 16 × 12 in | 125 | Fine across a room | 2% |
| 20 × 16 in | 95 | Too soft | 4% |
| 24 × 18 in | 83 | Too soft | 2% |
| 36 × 24 in | 55 | Too soft | 13% |
| 40 × 30 in | 50 | Too soft | 2% |
The ticket
Two Figures is a work on paper by Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), dated 19th century. Matted painting; ink on paper (wash drawing?). Size on the museum record: 10 3/8 x 14 in. (26.4 x 35.6 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — Fletcher Fund, 1937.
In The Met's records, Two Figures is a matted painting; ink on paper (wash drawing?) credited to Katsushika Hokusai. The museum dates it 19th century, and files it under accession 37.119.3 in Asian Art. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 2,000 × 1,531 pixels, which prints about 6.7 × 5.1 in at 300 dpi and 13.3 × 10.2 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,000 × 1,531 pixels — 3.1 megapixels — good for a gallery-sharp print up to 6.7 × 5.1 in. The work on paper itself measures about 14 × 10.4 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Katsushika Hokusai
- Date
- 19th century
- Medium
- Matted painting; ink on paper (wash drawing?)
- Size
- 10 3/8 x 14 in. (26.4 x 35.6 cm)
- Museum
- The Met · Asian Art
- Accession
- 37.119.3
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Katsushika Hokusai
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Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)ca. 1830–32Free · sharp to 12.9 × 8.8 in at 300 dpi, uncropped
Album of Sketches by Katsushika Hokusai and His Disciples19th centuryFree · sharp to 9.2 × 13.3 in at 300 dpi, uncropped
Black Shōki, the Demon Queller1849Free · sharp to 5.9 × 13.3 in at 300 dpi, uncropped
Drunken Asainaca. 1810Free · sharp to 13.3 × 10 in at 300 dpi, uncropped