Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 313 | Gallery sharp | 11% |
| 11 × 14 in | 227 | Sharp up close | 10% |
| 12 × 16 in | 208 | Sharp up close | 5% |
| 16 × 20 in | 156 | Poster sharp | 11% |
| 18 × 24 in | 139 | Fine across a room | 5% |
| 24 × 36 in | 98 | Too soft | 6% |
| 30 × 40 in | 83 | Too soft | 5% |
The ticket
Two Satyrs in a Landscape is a work on paper by Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice), dated ca. 1505–10. Pen and brown ink, highlighted with white gouache on fine, off-white laid paper. Size on the museum record: 8-1/2 x 5-15/16 in. (21.6 x 15.1 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1999.
Two Satyrs in a Landscape is a pen and brown ink, highlighted with white gouache on fine, off-white laid paper by Titian (Tiziano Vecellio), part of The Met's open-access collection. The museum dates it ca. 1505–10, and files it under accession 1999.28 in Drawings and Prints. The subject is a view, and the eye travels from the foreground to the distance; give it wall space so that route stays readable. The Met's scan measures 2,507 × 3,530 pixels, which prints about 8.4 × 11.8 in at 300 dpi and 16.7 × 23.5 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,507 × 3,530 pixels — 8.8 megapixels — good for a gallery-sharp print up to 8.4 × 11.8 in. That is bigger than the work on paper itself, which measures about 5.9 × 8.5 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Titian (Tiziano Vecellio)
- Date
- ca. 1505–10
- Medium
- Pen and brown ink, highlighted with white gouache on fine, off-white laid paper
- Size
- 8-1/2 x 5-15/16 in. (21.6 x 15.1 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 1999.28
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Titian
All 8 →
Venus and Adonis1550sFree · sharp to 13.3 × 10.8 in at 300 dpi, uncropped
Filippo Archinto (born about 1500, died 1558), Archbishop of Milanmid-1550sFree · sharp to 10.7 × 13.3 in at 300 dpi, uncropped
Group of Trees1485/90–1576Free · sharp to 12.3 × 8.6 in at 300 dpi, uncropped
Landscape with a Goat1500–11Free · sharp to 10.3 × 6.7 in at 300 dpi, uncropped