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A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen)

Suzuki Harunobu · ca. 1767–69 · The Met, New York

Public domain · CC0 · $0.002,854 × 3,832 px · 10.9 MP
Prints gallery-sharp up to9.5 × 12.8 inat 300 dpi, uncropped · poster-sharp to 19 × 25.5 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen) by Suzuki Harunobu, ca. 1767–69
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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in356Gallery sharp7%
11 × 14 in259Sharp up close5%
12 × 16 in237Sharp up close1%
16 × 20 in178Poster sharp7%
18 × 24 in158Poster sharp1%
24 × 36 in106Fine across a room10%
30 × 40 in95Too soft1%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen) is a woodblock print by Suzuki Harunobu (Japanese, 1725–1770), dated ca. 1767–69. Woodblock print; ink and color on paper. Size on the museum record: 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939.

In The Met's records, A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen) is a woodblock print; ink and color on paper credited to Suzuki Harunobu. The museum dates it ca. 1767–69; it sits in the Asian Art department as accession JP2773. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,854 × 3,832 pixels, which prints about 9.5 × 12.8 in at 300 dpi and 19.0 × 25.5 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,854 × 3,832 pixels — 10.9 megapixels — good for a gallery-sharp print up to 9.5 × 12.8 in. That is bigger than the woodblock print itself, which measures about 8.1 × 11.1 in — the file holds more detail than you can see standing in front of the original.Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.

On the receipt

Artist
Suzuki Harunobu
Date
ca. 1767–69
Medium
Woodblock print; ink and color on paper
Size
11 1/8 x 8 1/8 in. (28.3 x 20.6 cm)
Museum
The Met · Asian Art
Accession
JP2773
License
Public domain · CC0 1.0
Source
Museum record ↗