Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 295 | Sharp up close | 20% |
| 14 × 11 in | 214 | Sharp up close | 18% |
| 16 × 12 in | 196 | Poster sharp | 14% |
| 20 × 16 in | 147 | Fine across a room | 20% |
| 24 × 18 in | 131 | Fine across a room | 14% |
| 36 × 24 in | 98 | Too soft | 3% |
| 40 × 30 in | 78 | Too soft | 14% |
The ticket
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .) is a print by Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome), dated 1769 (?). Etching. The Metropolitan Museum of Art holds it in its Drawings and Prints collection — The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1973.
In The Met's records, Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .) is an etching credited to Giovanni Battista Piranesi. The museum dates it 1769 (?), and files it under accession 1973.509.3 in Drawings and Prints. Animals give it an immediate focal point, which suits a hallway or a reading corner where people pass close by. The Met's scan measures 3,671 × 2,363 pixels, which prints about 12.2 × 7.9 in at 300 dpi and 24.5 × 15.8 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,671 × 2,363 pixels — 8.7 megapixels — good for a gallery-sharp print up to 12.2 × 7.9 in. Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Giovanni Battista Piranesi
- Date
- 1769 (?)
- Medium
- Etching
- Museum
- The Met · Drawings and Prints
- Accession
- 1973.509.3
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Giovanni Battista Piranesi
All 14 →
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)ca. 1749–50Free · sharp to 9.6 × 12.5 in at 300 dpi, uncropped
A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)ca. 1769Free · sharp to 8.2 × 12.2 in at 300 dpi, uncropped
Coat of Arms of Clement XIII (Rezzonico)1758–69Free · sharp to 8.7 × 12.1 in at 300 dpi, uncropped
Frontispiece from "Prima Parte di Architetture, e Prospettive"ca. 1750Free · sharp to 8.7 × 12.1 in at 300 dpi, uncropped