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Bust of Pseudo-Seneca

Peter Paul Rubens · 1600–1626 · The Met, New York

Public domain · CC0 · $0.002,633 × 3,871 px · 10.2 MP
Prints gallery-sharp up to8.8 × 12.9 inat 300 dpi, uncropped · poster-sharp to 17.6 × 25.8 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Bust of Pseudo-Seneca by Peter Paul Rubens, 1600–1626
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Bust of Pseudo-Seneca in a frame
16 × 20 in
Bust of Pseudo-SenecaPeter Paul Rubens · 1600–1626
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1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in329Gallery sharp15%
11 × 14 in239Sharp up close13%
12 × 16 in219Sharp up close9%
16 × 20 in164Poster sharp15%
18 × 24 in146Fine across a room9%
24 × 36 in107Fine across a room2%
30 × 40 in87Too soft9%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Bust of Pseudo-Seneca is a work on paper by Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), dated 1600–1626. Pen and brown ink over black chalk heightened with white, with brush and gray ink. Size on the museum record: 10 7/16 x 6 15/16 in. (26.5 x 17.7 cm). The Metropolitan Museum of Art holds it in its Robert Lehman Collection collection — Robert Lehman Collection, 1975.

Bust of Pseudo-Seneca is a pen and brown ink over black chalk heightened with white, with brush and gray ink by Peter Paul Rubens, part of The Met's open-access collection. The museum dates it 1600–1626 (accession 1975.1.843, Robert Lehman Collection). The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,633 × 3,871 pixels, which prints about 8.8 × 12.9 in at 300 dpi and 17.6 × 25.8 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,633 × 3,871 pixels — 10.2 megapixels — good for a gallery-sharp print up to 8.8 × 12.9 in. That is bigger than the work on paper itself, which measures about 7 × 10.4 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.

On the receipt

Artist
Peter Paul Rubens
Date
1600–1626
Medium
Pen and brown ink over black chalk heightened with white, with brush and gray ink
Size
10 7/16 x 6 15/16 in. (26.5 x 17.7 cm)
Museum
The Met · Robert Lehman Collection
Accession
1975.1.843
License
Public domain · CC0 1.0
Source
Museum record ↗