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Portrait of a Man, Possibly an Architect or Geographer

Peter Paul Rubens · 1597 · The Met, New York

Public domain · CC0 · $0.002,485 × 3,722 px · 9.2 MP
Prints gallery-sharp up to8.3 × 12.4 inat 300 dpi, uncropped · poster-sharp to 16.6 × 24.8 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Portrait of a Man, Possibly an Architect or Geographer by Peter Paul Rubens, 1597
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Portrait of a Man, Possibly an Architect or Geographer in a frame
16 × 20 in
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in310Gallery sharp17%
11 × 14 in225Sharp up close15%
12 × 16 in207Sharp up close11%
16 × 20 in155Poster sharp17%
18 × 24 in138Fine across a room11%
24 × 36 in103Fine across a roomnothing
30 × 40 in82Too soft11%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Portrait of a Man, Possibly an Architect or Geographer is a painting by Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), dated 1597. Oil on copper. Size on the museum record: 8 1/2 x 5 3/4 in. (21.6 x 14.6 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — The Jack and Belle Linsky Collection, 1982.

The Met catalogs Portrait of a Man, Possibly an Architect or Geographer as an oil on copper by Peter Paul Rubens. The museum dates it 1597, and files it under accession 1982.60.24 in European Paintings. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,485 × 3,722 pixels, which prints about 8.3 × 12.4 in at 300 dpi and 16.6 × 24.8 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,485 × 3,722 pixels — 9.2 megapixels — good for a gallery-sharp print up to 8.3 × 12.4 in. That is bigger than the painting itself, which measures about 5.7 × 8.5 in — the file holds more detail than you can see standing in front of the original.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
Peter Paul Rubens
Date
1597
Medium
Oil on copper
Size
8 1/2 x 5 3/4 in. (21.6 x 14.6 cm)
Museum
The Met · European Paintings
Accession
1982.60.24
License
Public domain · CC0 1.0
Source
Museum record ↗