Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 312 | Gallery sharp | 16% |
| 11 × 14 in | 227 | Sharp up close | 14% |
| 12 × 16 in | 208 | Sharp up close | 10% |
| 16 × 20 in | 156 | Poster sharp | 16% |
| 18 × 24 in | 138 | Fine across a room | 10% |
| 24 × 36 in | 102 | Fine across a room | 1% |
| 30 × 40 in | 83 | Too soft | 10% |
The ticket
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos" is a print by Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), dated 1799. Etching, aquatint, drypoint. Size on the museum record: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm) Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of Walter E. Sachs, 1916.
In The Met's records, Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos" is an etching, aquatint, drypoint credited to Goya (Francisco de Goya y Lucientes). The museum dates it 1799 (accession 16.4.11, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,501 × 3,701 pixels, which prints about 8.3 × 12.3 in at 300 dpi and 16.7 × 24.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,501 × 3,701 pixels — 9.3 megapixels — good for a gallery-sharp print up to 8.3 × 12.3 in. That is bigger than the print itself, which measures about 5.8 × 7.8 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Goya (Francisco de Goya y Lucientes)
- Date
- 1799
- Medium
- Etching, aquatint, drypoint
- Size
- Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm) Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 16.4.11
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Francisco Goya
All 14 →
Seated Giantby 1818 (possibly 1814–18)Free · sharp to 8.4 × 12.1 in at 300 dpi, uncropped
Self-Portraitca. 1796Free · sharp to 7.1 × 12 in at 300 dpi, uncropped
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"1816Free · sharp to 12.4 × 9.1 in at 300 dpi, uncropped
A bad night (Mala noche), plate 36 from "Los Caprichos"1799Free · sharp to 8.7 × 13.3 in at 300 dpi, uncropped