What is the largest sharp print size for On the Veranda?

At 300 dpi, this 2,687 × 4,000 px file prints up to 9 × 13.3 in with gallery-sharp detail. At 150 dpi the file reaches 17.9 × 26.7 in, which is poster-sharp quality.

Which standard frame sizes give gallery-sharp prints of On the Veranda?

Gallery-sharp (300 dpi or above) frame sizes: 8 × 10 in. Sharp-to-poster-quality sizes also work: 11 × 14 in, 12 × 16 in, 16 × 20 in.

Does printing On the Veranda require cropping the image?

Standard frame aspect ratios may not match this artwork exactly; depending on the size chosen, up to 16% of the image could be cropped. Most print-on-demand services let you adjust the crop position or add a white mat border instead.

On the Veranda — Suzuki Harunobu | Free high-res download

On the Veranda

Suzuki Harunobu · 1769 or 1770 · The Met, New York

Public domain · CC0 · $0.002,687 × 4,000 px · 10.7 MP

Prints gallery-sharp up to9 × 13.3 inat 300 dpi, uncropped · poster-sharp to 17.9 × 26.7 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Build the wall set

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Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

Frame	Effective dpi	Verdict	Crops
8 × 10 in	335	Gallery sharp	16%
11 × 14 in	244	Sharp up close	15%
12 × 16 in	223	Sharp up close	10%
16 × 20 in	167	Poster sharp	16%
18 × 24 in	149	Fine across a room	10%
24 × 36 in	111	Fine across a room	1%
30 × 40 in	89	Too soft	10%

Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

On the Veranda is a woodblock print by Suzuki Harunobu (Japanese, 1725–1770), dated 1769 or 1770. Woodblock print; ink and color on paper. Size on the museum record: 10 1/2 x 5 5/8 in. (26.7 x 14.3 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — Purchase, Joseph Pulitzer Bequest, 1918.

In The Met's records, On the Veranda is a woodblock print; ink and color on paper credited to Suzuki Harunobu. The museum dates it 1769 or 1770 (accession JP566, Asian Art). Its flat colour areas and strong outlines hold up from across a room, which is the whole point of the woodblock tradition. The Met's scan measures 2,687 × 4,000 pixels, which prints about 9.0 × 13.3 in at 300 dpi and 17.9 × 26.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,687 × 4,000 pixels — 10.7 megapixels — good for a gallery-sharp print up to 9 × 13.3 in. That is bigger than the woodblock print itself, which measures about 5.6 × 10.5 in — the file holds more detail than you can see standing in front of the original.Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.