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Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

Goya (Francisco de Goya y Lucientes) · 1799 · The Met, New York

Public domain · CC0 · $0.002,663 × 3,735 px · 9.9 MP
Prints gallery-sharp up to8.9 × 12.5 inat 300 dpi, uncropped · poster-sharp to 17.8 × 24.9 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.) by Goya (Francisco de Goya y Lucientes), 1799
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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in332Gallery sharp11%
11 × 14 in242Sharp up close9%
12 × 16 in221Sharp up close5%
16 × 20 in166Poster sharp11%
18 × 24 in147Fine across a room5%
24 × 36 in103Fine across a room6%
30 × 40 in88Too soft5%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.) is a print by Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), dated 1799. Etching, burnished aquatint. Size on the museum record: Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm) Sheet: 12 1/2 × 8 13/16 in. (31.8 × 22.4 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Harris Brisbane Dick Fund, 1917.

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.) is an etching, burnished aquatint by Goya (Francisco de Goya y Lucientes), part of The Met's open-access collection. The museum dates it 1799, and files it under accession 17.3.2977 in Drawings and Prints. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,663 × 3,735 pixels, which prints about 8.9 × 12.4 in at 300 dpi and 17.8 × 24.9 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,663 × 3,735 pixels — 9.9 megapixels — good for a gallery-sharp print up to 8.9 × 12.5 in. That is bigger than the print itself, which measures about 5.9 × 8.4 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
Goya (Francisco de Goya y Lucientes)
Date
1799
Medium
Etching, burnished aquatint
Size
Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm) Sheet: 12 1/2 × 8 13/16 in. (31.8 × 22.4 cm)
Museum
The Met · Drawings and Prints
Accession
17.3.2977
License
Public domain · CC0 1.0
Source
Museum record ↗