Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 303 | Gallery sharp | 20% |
| 11 × 14 in | 220 | Sharp up close | 18% |
| 12 × 16 in | 202 | Sharp up close | 15% |
| 16 × 20 in | 151 | Poster sharp | 20% |
| 18 × 24 in | 134 | Fine across a room | 15% |
| 24 × 36 in | 101 | Fine across a room | 4% |
| 30 × 40 in | 80 | Too soft | 15% |
The ticket
Standing Woman in Moroccan Costume is a work on paper by Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), dated ca. 1834. Graphite and watercolor on wove paper. Size on the museum record: 12-13/16 x 8-3/16 in. (32.5 x 20.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Bequest of Walter C. Baker, 1971.
In The Met's records, Standing Woman in Moroccan Costume is a graphite and watercolor on wove paper credited to Eugène Delacroix. The museum dates it ca. 1834, and files it under accession 1972.118.209 in Drawings and Prints. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,428 × 3,790 pixels, which prints about 8.1 × 12.6 in at 300 dpi and 16.2 × 25.3 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,428 × 3,790 pixels — 9.2 megapixels — good for a gallery-sharp print up to 8.1 × 12.6 in. That is roughly life-size: the work on paper itself measures about 8.2 × 12.8 in.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Eugène Delacroix
- Date
- ca. 1834
- Medium
- Graphite and watercolor on wove paper
- Size
- 12-13/16 x 8-3/16 in. (32.5 x 20.8 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 1972.118.209
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Eugène Delacroix
All 14 →
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters1832Free · sharp to 8.3 × 11.3 in at 300 dpi, uncropped
A Moroccan Couple on Their Terrace1832Free · sharp to 6.4 × 4.7 in at 300 dpi, uncropped
Arch of Morning Glories, Study for "A Basket of Flowers"1848–49Free · sharp to 12.9 × 8.8 in at 300 dpi, uncropped
Mathurin Régnierca. 1846Free · sharp to 8.8 × 12 in at 300 dpi, uncropped