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Standing Woman in Moroccan Costume

Eugène Delacroix · ca. 1834 · The Met, New York

Public domain · CC0 · $0.002,428 × 3,790 px · 9.2 MP
Prints gallery-sharp up to8.1 × 12.6 inat 300 dpi, uncropped · poster-sharp to 16.2 × 25.3 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Standing Woman in Moroccan Costume by Eugène Delacroix, ca. 1834
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Standing Woman in Moroccan Costume in a frame
16 × 20 in
Standing Woman in Moroccan CostumeEugène Delacroix · ca. 1834
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1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in303Gallery sharp20%
11 × 14 in220Sharp up close18%
12 × 16 in202Sharp up close15%
16 × 20 in151Poster sharp20%
18 × 24 in134Fine across a room15%
24 × 36 in101Fine across a room4%
30 × 40 in80Too soft15%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Standing Woman in Moroccan Costume is a work on paper by Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), dated ca. 1834. Graphite and watercolor on wove paper. Size on the museum record: 12-13/16 x 8-3/16 in. (32.5 x 20.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Bequest of Walter C. Baker, 1971.

In The Met's records, Standing Woman in Moroccan Costume is a graphite and watercolor on wove paper credited to Eugène Delacroix. The museum dates it ca. 1834, and files it under accession 1972.118.209 in Drawings and Prints. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 2,428 × 3,790 pixels, which prints about 8.1 × 12.6 in at 300 dpi and 16.2 × 25.3 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,428 × 3,790 pixels — 9.2 megapixels — good for a gallery-sharp print up to 8.1 × 12.6 in. That is roughly life-size: the work on paper itself measures about 8.2 × 12.8 in.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.

On the receipt

Artist
Eugène Delacroix
Date
ca. 1834
Medium
Graphite and watercolor on wove paper
Size
12-13/16 x 8-3/16 in. (32.5 x 20.8 cm)
Museum
The Met · Drawings and Prints
Accession
1972.118.209
License
Public domain · CC0 1.0
Source
Museum record ↗