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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 400 | Gallery sharp | 4% |
| 11 × 14 in | 285 | Sharp up close | 6% |
| 12 × 16 in | 250 | Sharp up close | 10% |
| 16 × 20 in | 200 | Sharp up close | 4% |
| 18 × 24 in | 166 | Poster sharp | 10% |
| 24 × 36 in | 111 | Fine across a room | 20% |
| 30 × 40 in | 100 | Fine across a room | 10% |
The ticket
Study for "The Sultan of Morocco and His Entourage" is a work on paper by Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), dated 1845. Graphite; squared in white chalk. Size on the museum record: Sheet: 23 1/2 × 19 9/16 in. (59.7 × 49.7 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1961.
Study for "The Sultan of Morocco and His Entourage" is a graphite; squared in white chalk by Eugène Delacroix, part of The Met's open-access collection. The museum dates it 1845; it sits in the Drawings and Prints department as accession 61.202. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,348 × 4,000 pixels, which prints about 11.2 × 13.3 in at 300 dpi and 22.3 × 26.7 in at a still-comfortable 150 dpi. Because it runs tall, it wants a vertical frame; compare the crop percentage across sizes before you choose. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,348 × 4,000 pixels — 13.4 megapixels — good for a gallery-sharp print up to 11.2 × 13.3 in. The work on paper itself measures about 19.6 × 23.5 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- Eugène Delacroix
- Date
- 1845
- Medium
- Graphite; squared in white chalk
- Size
- Sheet: 23 1/2 × 19 9/16 in. (59.7 × 49.7 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 61.202
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Eugène Delacroix
All 14 →
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters1832Free · sharp to 8.3 × 11.3 in at 300 dpi, uncropped
A Moroccan Couple on Their Terrace1832Free · sharp to 6.4 × 4.7 in at 300 dpi, uncropped
Arch of Morning Glories, Study for "A Basket of Flowers"1848–49Free · sharp to 12.9 × 8.8 in at 300 dpi, uncropped
Mathurin Régnierca. 1846Free · sharp to 8.8 × 12 in at 300 dpi, uncropped