Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 363 | Gallery sharp | 9% |
| 11 × 14 in | 264 | Sharp up close | 7% |
| 12 × 16 in | 242 | Sharp up close | 3% |
| 16 × 20 in | 181 | Poster sharp | 9% |
| 18 × 24 in | 161 | Poster sharp | 3% |
| 24 × 36 in | 111 | Fine across a room | 8% |
| 30 × 40 in | 96 | Too soft | 3% |
The ticket
The Caprices (Los Caprichos), plates 1-80 is a print by Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), dated 1799. Etching, aquatint, drypoint, and burin. The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of M. Knoedler & Co., 1918.
In The Met's records, The Caprices (Los Caprichos), plates 1-80 is an etching, aquatint, drypoint, and burin credited to Goya (Francisco de Goya y Lucientes). The museum dates it 1799 (accession 18.64(1-80), Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,908 × 4,000 pixels, which prints about 9.7 × 13.3 in at 300 dpi and 19.4 × 26.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,908 × 4,000 pixels — 11.6 megapixels — good for a gallery-sharp print up to 9.7 × 13.3 in. Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- Goya (Francisco de Goya y Lucientes)
- Date
- 1799
- Medium
- Etching, aquatint, drypoint, and burin
- Museum
- The Met · Drawings and Prints
- Accession
- 18.64(1-80)
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Francisco Goya
All 14 →
Seated Giantby 1818 (possibly 1814–18)Free · sharp to 8.4 × 12.1 in at 300 dpi, uncropped
Self-Portraitca. 1796Free · sharp to 7.1 × 12 in at 300 dpi, uncropped
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"1816Free · sharp to 12.4 × 9.1 in at 300 dpi, uncropped
A bad night (Mala noche), plate 36 from "Los Caprichos"1799Free · sharp to 8.7 × 13.3 in at 300 dpi, uncropped