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The Caprices (Los Caprichos), plates 1-80

Goya (Francisco de Goya y Lucientes) · 1799 · The Met, New York

Public domain · CC0 · $0.002,908 × 4,000 px · 11.6 MP
Prints gallery-sharp up to9.7 × 13.3 inat 300 dpi, uncropped · poster-sharp to 19.4 × 26.7 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00The Caprices (Los Caprichos), plates 1-80 by Goya (Francisco de Goya y Lucientes), 1799
The set builder

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The Caprices (Los Caprichos), plates 1-80 in a frame
16 × 20 in
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in363Gallery sharp9%
11 × 14 in264Sharp up close7%
12 × 16 in242Sharp up close3%
16 × 20 in181Poster sharp9%
18 × 24 in161Poster sharp3%
24 × 36 in111Fine across a room8%
30 × 40 in96Too soft3%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

The Caprices (Los Caprichos), plates 1-80 is a print by Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), dated 1799. Etching, aquatint, drypoint, and burin. The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of M. Knoedler & Co., 1918.

In The Met's records, The Caprices (Los Caprichos), plates 1-80 is an etching, aquatint, drypoint, and burin credited to Goya (Francisco de Goya y Lucientes). The museum dates it 1799 (accession 18.64(1-80), Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,908 × 4,000 pixels, which prints about 9.7 × 13.3 in at 300 dpi and 19.4 × 26.7 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,908 × 4,000 pixels — 11.6 megapixels — good for a gallery-sharp print up to 9.7 × 13.3 in. Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
Goya (Francisco de Goya y Lucientes)
Date
1799
Medium
Etching, aquatint, drypoint, and burin
Museum
The Met · Drawings and Prints
Accession
18.64(1-80)
License
Public domain · CC0 1.0
Source
Museum record ↗