Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 8 × 10 in | 371 | Gallery sharp | 2% |
| 11 × 14 in | 265 | Sharp up close | 4% |
| 12 × 16 in | 232 | Sharp up close | 8% |
| 16 × 20 in | 185 | Poster sharp | 2% |
| 18 × 24 in | 154 | Poster sharp | 8% |
| 24 × 36 in | 103 | Fine across a room | 18% |
| 30 × 40 in | 92 | Too soft | 8% |
The ticket
The Coronation of the Virgin is a painting by Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), dated ca. 1632–33. Oil on wood. Size on the museum record: 19 5/8 x 16 in. (49.8 x 40.6 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Bequest of Scofield Thayer, 1982.
In The Met's records, The Coronation of the Virgin is an oil on wood credited to Peter Paul Rubens. The museum dates it ca. 1632–33; it sits in the European Paintings department as accession 1984.433.336. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 3,036 × 3,716 pixels, which prints about 10.1 × 12.4 in at 300 dpi and 20.2 × 24.8 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,036 × 3,716 pixels — 11.3 megapixels — good for a gallery-sharp print up to 10.1 × 12.4 in. The painting itself measures about 16 × 19.6 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Peter Paul Rubens
- Date
- ca. 1632–33
- Medium
- Oil on wood
- Size
- 19 5/8 x 16 in. (49.8 x 40.6 cm)
- Museum
- The Met · European Paintings
- Accession
- 1984.433.336
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Peter Paul Rubens
All 14 →
Bust of Pseudo-Seneca1600–1626Free · sharp to 8.8 × 12.9 in at 300 dpi, uncropped
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)ca. 1635Free · sharp to 10.3 × 13.2 in at 300 dpi, uncropped
A Forest at Dawn with a Deer Huntca. 1635Free · sharp to 13.3 × 9.2 in at 300 dpi, uncropped
Atalanta and Meleagerca. 1616Free · sharp to 5.1 × 6.4 in at 300 dpi, uncropped