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The Coronation of the Virgin

Peter Paul Rubens · ca. 1632–33 · The Met, New York

Public domain · CC0 · $0.003,036 × 3,716 px · 11.3 MP
Prints gallery-sharp up to10.1 × 12.4 inat 300 dpi, uncropped · poster-sharp to 20.2 × 24.8 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00The Coronation of the Virgin by Peter Paul Rubens, ca. 1632–33
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The Coronation of the Virgin in a frame
16 × 20 in
The Coronation of the VirginPeter Paul Rubens · ca. 1632–33
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
8 × 10 in371Gallery sharp2%
11 × 14 in265Sharp up close4%
12 × 16 in232Sharp up close8%
16 × 20 in185Poster sharp2%
18 × 24 in154Poster sharp8%
24 × 36 in103Fine across a room18%
30 × 40 in92Too soft8%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

The Coronation of the Virgin is a painting by Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), dated ca. 1632–33. Oil on wood. Size on the museum record: 19 5/8 x 16 in. (49.8 x 40.6 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Bequest of Scofield Thayer, 1982.

In The Met's records, The Coronation of the Virgin is an oil on wood credited to Peter Paul Rubens. The museum dates it ca. 1632–33; it sits in the European Paintings department as accession 1984.433.336. The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 3,036 × 3,716 pixels, which prints about 10.1 × 12.4 in at 300 dpi and 20.2 × 24.8 in at a still-comfortable 150 dpi. Its tall proportions suit a hallway, a narrow wall or the gap beside a door, and the set builder shows how much each standard frame would crop. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,036 × 3,716 pixels — 11.3 megapixels — good for a gallery-sharp print up to 10.1 × 12.4 in. The painting itself measures about 16 × 19.6 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
Peter Paul Rubens
Date
ca. 1632–33
Medium
Oil on wood
Size
19 5/8 x 16 in. (49.8 x 40.6 cm)
Museum
The Met · European Paintings
Accession
1984.433.336
License
Public domain · CC0 1.0
Source
Museum record ↗