Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 191 | Poster sharp | 15% |
| 14 × 11 in | 136 | Fine across a room | 17% |
| 16 × 12 in | 119 | Fine across a room | 20% |
| 20 × 16 in | 95 | Too soft | 15% |
| 24 × 18 in | 79 | Too soft | 20% |
| 36 × 24 in | 53 | Too soft | 29% |
| 40 × 30 in | 47 | Too soft | 20% |
The ticket
The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt) is a work on paper by William Blake (British, London 1757–1827 London), dated 1806. Watercolor, pen and black ink, over graphite. Size on the museum record: Sheet: 13 13/16 × 14 9/16 in. (35.1 × 37 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1906.
The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt) is a watercolor, pen and black ink, over graphite by William Blake, part of The Met's open-access collection. The museum dates it 1806 (accession 06.1322.1, Drawings and Prints). People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 1,915 × 1,802 pixels, which prints about 6.4 × 6.0 in at 300 dpi and 12.8 × 12.0 in at a still-comfortable 150 dpi. Square works are the hardest to frame cheaply; the set builder lists the square frame sizes that fit without distorting it. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 1,915 × 1,802 pixels — 3.5 megapixels — good for a gallery-sharp print up to 6.4 × 6 in. The work on paper itself measures about 14.6 × 13.8 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- William Blake
- Date
- 1806
- Medium
- Watercolor, pen and black ink, over graphite
- Size
- Sheet: 13 13/16 × 14 9/16 in. (35.1 × 37 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 06.1322.1
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More William Blake
All 14 →
Angel of the Revelation (Book of Revelation, chapter 10)ca. 1803–5Free · sharp to 8.1 × 12.1 in at 300 dpi, uncropped
Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)ca. 1803Free · sharp to 9.8 × 12.2 in at 300 dpi, uncropped
God Judging Adamca. 1795Free · sharp to 13.3 × 10.9 in at 300 dpi, uncropped
Pityca. 1795Free · sharp to 12.3 × 9.8 in at 300 dpi, uncropped