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Pity

William Blake · ca. 1795 · The Met, New York

Public domain · CC0 · $0.003,681 × 2,944 px · 10.8 MP
Prints gallery-sharp up to12.3 × 9.8 inat 300 dpi, uncropped · poster-sharp to 24.5 × 19.6 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Pity by William Blake, ca. 1795
The set builder

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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Pity in a frame
16 × 20 in
PityWilliam Blake · ca. 1795
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in368Gallery sharpnothing
14 × 11 in262Sharp up close2%
16 × 12 in230Sharp up close6%
20 × 16 in184Poster sharpnothing
24 × 18 in153Poster sharp6%
36 × 24 in102Fine across a room17%
40 × 30 in92Too soft6%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Pity is a print by William Blake (British, London 1757–1827 London), dated ca. 1795. Relief etching, printed in color and finished with pen and ink and watercolor. Size on the museum record: sheet: 16 5/8 x 20 3/4in. (42.2 x 52.7cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Gift of Mrs. Robert W. Goelet, 1958, transferred from European Paintings.

Pity is a relief etching, printed in color and finished with pen and ink and watercolor by William Blake, part of The Met's open-access collection. The museum dates it ca. 1795 (accession 58.603, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 3,681 × 2,944 pixels, which prints about 12.3 × 9.8 in at 300 dpi and 24.5 × 19.6 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,681 × 2,944 pixels — 10.8 megapixels — good for a gallery-sharp print up to 12.3 × 9.8 in. The print itself measures about 20.7 × 16.6 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
William Blake
Date
ca. 1795
Medium
Relief etching, printed in color and finished with pen and ink and watercolor
Size
sheet: 16 5/8 x 20 3/4in. (42.2 x 52.7cm)
Museum
The Met · Drawings and Prints
Accession
58.603
License
Public domain · CC0 1.0
Source
Museum record ↗