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Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 400 | Gallery sharp | 2% |
| 14 × 11 in | 285 | Sharp up close | 4% |
| 16 × 12 in | 250 | Sharp up close | 8% |
| 20 × 16 in | 200 | Sharp up close | 2% |
| 24 × 18 in | 166 | Poster sharp | 8% |
| 36 × 24 in | 111 | Fine across a room | 18% |
| 40 × 30 in | 100 | Fine across a room | 8% |
The ticket
God Judging Adam is a print by William Blake (British, London 1757–1827 London), dated ca. 1795. Color relief etching finished with pen and ink and watercolor. Size on the museum record: sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1916.
In The Met's records, God Judging Adam is a color relief etching finished with pen and ink and watercolor credited to William Blake. The museum dates it ca. 1795 (accession 16.38, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 4,000 × 3,268 pixels, which prints about 13.3 × 10.9 in at 300 dpi and 26.7 × 21.8 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 4,000 × 3,268 pixels — 13.1 megapixels — good for a gallery-sharp print up to 13.3 × 10.9 in. The print itself measures about 20.7 × 16.7 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.
On the receipt
- Artist
- William Blake
- Date
- ca. 1795
- Medium
- Color relief etching finished with pen and ink and watercolor
- Size
- sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 16.38
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More William Blake
All 14 →
Angel of the Revelation (Book of Revelation, chapter 10)ca. 1803–5Free · sharp to 8.1 × 12.1 in at 300 dpi, uncropped
Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)ca. 1803Free · sharp to 9.8 × 12.2 in at 300 dpi, uncropped
Pityca. 1795Free · sharp to 12.3 × 9.8 in at 300 dpi, uncropped
Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page[1789–94] printed ca. 1825Free · sharp to 10.6 × 12.4 in at 300 dpi, uncropped