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God Judging Adam

William Blake · ca. 1795 · The Met, New York

Public domain · CC0 · $0.004,000 × 3,268 px · 13.1 MP
Prints gallery-sharp up to13.3 × 10.9 inat 300 dpi, uncropped · poster-sharp to 26.7 × 21.8 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00God Judging Adam by William Blake, ca. 1795
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God Judging Adam in a frame
16 × 20 in
God Judging AdamWilliam Blake · ca. 1795
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in400Gallery sharp2%
14 × 11 in285Sharp up close4%
16 × 12 in250Sharp up close8%
20 × 16 in200Sharp up close2%
24 × 18 in166Poster sharp8%
36 × 24 in111Fine across a room18%
40 × 30 in100Fine across a room8%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

God Judging Adam is a print by William Blake (British, London 1757–1827 London), dated ca. 1795. Color relief etching finished with pen and ink and watercolor. Size on the museum record: sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Rogers Fund, 1916.

In The Met's records, God Judging Adam is a color relief etching finished with pen and ink and watercolor credited to William Blake. The museum dates it ca. 1795 (accession 16.38, Drawings and Prints). Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 4,000 × 3,268 pixels, which prints about 13.3 × 10.9 in at 300 dpi and 26.7 × 21.8 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 4,000 × 3,268 pixels — 13.1 megapixels — good for a gallery-sharp print up to 13.3 × 10.9 in. The print itself measures about 20.7 × 16.7 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
William Blake
Date
ca. 1795
Medium
Color relief etching finished with pen and ink and watercolor
Size
sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Museum
The Met · Drawings and Prints
Accession
16.38
License
Public domain · CC0 1.0
Source
Museum record ↗