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View of Fukagawa, Edo

Suzuki Harunobu · ca. 1764 · The Met, New York

Public domain · CC0 · $0.003,869 × 2,527 px · 9.8 MP
Prints gallery-sharp up to12.9 × 8.4 inat 300 dpi, uncropped · poster-sharp to 25.8 × 16.8 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00View of Fukagawa, Edo by Suzuki Harunobu, ca. 1764
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View of Fukagawa, Edo in a frame
16 × 20 in
View of Fukagawa, EdoSuzuki Harunobu · ca. 1764
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2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in315Gallery sharp18%
14 × 11 in229Sharp up close17%
16 × 12 in210Sharp up close13%
20 × 16 in157Poster sharp18%
24 × 18 in140Fine across a room13%
36 × 24 in105Fine across a room2%
40 × 30 in84Too soft13%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

View of Fukagawa, Edo is a woodblock print by Suzuki Harunobu (Japanese, 1725–1770), dated ca. 1764. Woodblock print; ink and color on paper. Size on the museum record: 7 3/4 x 12 1/8 in. (19.7 x 30.8 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911.

View of Fukagawa, Edo is a woodblock print; ink and color on paper by Suzuki Harunobu, part of The Met's open-access collection. The museum dates it ca. 1764, and files it under accession JP697 in Asian Art. The subject is a view, and the eye travels from the foreground to the distance; give it wall space so that route stays readable. The Met's scan measures 3,869 × 2,527 pixels, which prints about 12.9 × 8.4 in at 300 dpi and 25.8 × 16.8 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,869 × 2,527 pixels — 9.8 megapixels — good for a gallery-sharp print up to 12.9 × 8.4 in. That is roughly life-size: the woodblock print itself measures about 12.1 × 7.8 in.Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.

On the receipt

Artist
Suzuki Harunobu
Date
ca. 1764
Medium
Woodblock print; ink and color on paper
Size
7 3/4 x 12 1/8 in. (19.7 x 30.8 cm)
Museum
The Met · Asian Art
Accession
JP697
License
Public domain · CC0 1.0
Source
Museum record ↗