Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
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How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 343 | Gallery sharp | 10% |
| 14 × 11 in | 249 | Sharp up close | 8% |
| 16 × 12 in | 228 | Sharp up close | 4% |
| 20 × 16 in | 171 | Poster sharp | 10% |
| 24 × 18 in | 152 | Poster sharp | 4% |
| 36 × 24 in | 105 | Fine across a room | 7% |
| 40 × 30 in | 91 | Too soft | 4% |
The ticket
Young Woman Riding a Phoenix is a woodblock print by Suzuki Harunobu (Japanese, 1725–1770), dated 1766. Woodblock print (nishiki-e); ink and color on paper. Size on the museum record: Horizontal chūban; Image: 7 15/16 × 11 1/8 in. (20.2 × 28.3 cm). The Metropolitan Museum of Art holds it in its Asian Art collection — The Howard Mansfield Collection, Purchase, Rogers Fund, 1936.
The Met catalogs Young Woman Riding a Phoenix as a woodblock print (nishiki-e); ink and color on paper by Suzuki Harunobu. The museum dates it 1766 (accession JP2436, Asian Art). The subject is a person, so the face is the anchor. Hang it with the eyes near the centre line instead of floating high on the wall. The Met's scan measures 3,815 × 2,745 pixels, which prints about 12.7 × 9.2 in at 300 dpi and 25.4 × 18.3 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Woodblock prints were made to be reproduced, so a faithful reprint fits the tradition. Keep the paper tone warm instead of bleaching it to white. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,815 × 2,745 pixels — 10.5 megapixels — good for a gallery-sharp print up to 12.7 × 9.2 in. That is bigger than the woodblock print itself, which measures about 11.1 × 8 in — the file holds more detail than you can see standing in front of the original.Woodblock prints were made to be printed again and again — a reproduction is in keeping with the whole point of the thing. Keep the paper tone warm. A printer that bleaches the ground to white-white flattens it into clip art.
On the receipt
- Artist
- Suzuki Harunobu
- Date
- 1766
- Medium
- Woodblock print (nishiki-e); ink and color on paper
- Size
- Horizontal chūban; Image: 7 15/16 × 11 1/8 in. (20.2 × 28.3 cm)
- Museum
- The Met · Asian Art
- Accession
- JP2436
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Suzuki Harunobu
All 14 →
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)ca. 1766Free · sharp to 9.5 × 13.1 in at 300 dpi, uncropped
A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen)ca. 1767–69Free · sharp to 9.5 × 12.8 in at 300 dpi, uncropped
Drawing the First Water of the New Yearca. 1769–70Free · sharp to 9.7 × 13.3 in at 300 dpi, uncropped
Gentleman Taking Leave of His Lady on a VerandaFree · sharp to 9.2 × 12.4 in at 300 dpi, uncropped