Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 188 | Poster sharp | 9% |
| 14 × 11 in | 136 | Fine across a room | 7% |
| 16 × 12 in | 125 | Fine across a room | 3% |
| 20 × 16 in | 94 | Too soft | 9% |
| 24 × 18 in | 83 | Too soft | 3% |
| 36 × 24 in | 57 | Too soft | 8% |
| 40 × 30 in | 50 | Too soft | 3% |
The ticket
Cloud study is a work on paper by John Constable (British, East Bergholt 1776–1837 Hampstead), dated 1830–35. Watercolor over graphite. Size on the museum record: Sheet: 5 × 6 in. (12.7 × 15.2 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Purchase, 2015 Benefit Fund, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and Connie Simmons and James D. Krugman Gift, 2016.
In The Met's records, Cloud study is a watercolor over graphite credited to John Constable. The museum dates it 1830–35; it sits in the Drawings and Prints department as accession 2016.589. Spend a minute with the composition before choosing a size: notice where the eye lands first and where it rests. The Met's scan measures 2,068 × 1,504 pixels, which prints about 6.9 × 5.0 in at 300 dpi and 13.8 × 10.0 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Works on paper are quiet. Print near the original's scale instead of blowing it up, and keep it out of direct sun like the museum does. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 2,068 × 1,504 pixels — 3.1 megapixels — good for a gallery-sharp print up to 6.9 × 5 in. That is bigger than the work on paper itself, which measures about 6 × 5 in — the file holds more detail than you can see standing in front of the original.Works on paper are quiet. Print near the original’s size rather than blowing it up, mat it generously, and keep it out of direct sun — the same rules the museum follows for the real one.
On the receipt
- Artist
- John Constable
- Date
- 1830–35
- Medium
- Watercolor over graphite
- Size
- Sheet: 5 × 6 in. (12.7 × 15.2 cm)
- Museum
- The Met · Drawings and Prints
- Accession
- 2016.589
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More John Constable
All 5 →
A Mill Near Colchester1833Free · sharp to 12.1 × 9.2 in at 300 dpi, uncropped
Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)1818Free · sharp to 10.8 × 12.9 in at 300 dpi, uncropped
Salisbury Cathedral from the Bishop's Groundsca. 1825Free · sharp to 6.5 × 5.1 in at 300 dpi, uncropped
Stoke-by-Naylandca. 1810–11Free · sharp to 13 × 10.3 in at 300 dpi, uncropped