Skip to content
OpenBuild a set →

Stoke-by-Nayland

John Constable · ca. 1810–11 · The Met, New York

Public domain · CC0 · $0.003,911 × 3,077 px · 12 MP
Prints gallery-sharp up to13 × 10.3 inat 300 dpi, uncropped · poster-sharp to 26.1 × 20.5 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Stoke-by-Nayland by John Constable, ca. 1810–11
The set builder

Build the wall set

Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.

Stoke-by-Nayland in a frame
16 × 20 in
Stoke-by-NaylandJohn Constable · ca. 1810–11
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →

The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in384Gallery sharp2%
14 × 11 in279Sharp up closenothing
16 × 12 in244Sharp up close5%
20 × 16 in192Poster sharp2%
24 × 18 in162Poster sharp5%
36 × 24 in108Fine across a room15%
40 × 30 in97Too soft5%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Stoke-by-Nayland is a painting by John Constable (British, East Bergholt 1776–1837 Hampstead), dated ca. 1810–11. Oil on canvas. Size on the museum record: 11 1/8 x 14 1/4 in. (28.3 x 36.2 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Charles B. Curtis Fund, 1926.

Stoke-by-Nayland is an oil on canvas by John Constable, part of The Met's open-access collection. The museum dates it ca. 1810–11 (accession 26.128, European Paintings). People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,911 × 3,077 pixels, which prints about 13.0 × 10.3 in at 300 dpi and 26.1 × 20.5 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,911 × 3,077 pixels — 12 megapixels — good for a gallery-sharp print up to 13 × 10.3 in. That is roughly life-size: the painting itself measures about 14.3 × 11.1 in.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
John Constable
Date
ca. 1810–11
Medium
Oil on canvas
Size
11 1/8 x 14 1/4 in. (28.3 x 36.2 cm)
Museum
The Met · European Paintings
Accession
26.128
License
Public domain · CC0 1.0
Source
Museum record ↗
Also on these sections