Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 384 | Gallery sharp | 2% |
| 14 × 11 in | 279 | Sharp up close | nothing |
| 16 × 12 in | 244 | Sharp up close | 5% |
| 20 × 16 in | 192 | Poster sharp | 2% |
| 24 × 18 in | 162 | Poster sharp | 5% |
| 36 × 24 in | 108 | Fine across a room | 15% |
| 40 × 30 in | 97 | Too soft | 5% |
The ticket
Stoke-by-Nayland is a painting by John Constable (British, East Bergholt 1776–1837 Hampstead), dated ca. 1810–11. Oil on canvas. Size on the museum record: 11 1/8 x 14 1/4 in. (28.3 x 36.2 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Charles B. Curtis Fund, 1926.
Stoke-by-Nayland is an oil on canvas by John Constable, part of The Met's open-access collection. The museum dates it ca. 1810–11 (accession 26.128, European Paintings). People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,911 × 3,077 pixels, which prints about 13.0 × 10.3 in at 300 dpi and 26.1 × 20.5 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,911 × 3,077 pixels — 12 megapixels — good for a gallery-sharp print up to 13 × 10.3 in. That is roughly life-size: the painting itself measures about 14.3 × 11.1 in.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- John Constable
- Date
- ca. 1810–11
- Medium
- Oil on canvas
- Size
- 11 1/8 x 14 1/4 in. (28.3 x 36.2 cm)
- Museum
- The Met · European Paintings
- Accession
- 26.128
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More John Constable
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A Mill Near Colchester1833Free · sharp to 12.1 × 9.2 in at 300 dpi, uncropped
Cloud study1830–35Free · sharp to 6.9 × 5 in at 300 dpi, uncropped
Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)1818Free · sharp to 10.8 × 12.9 in at 300 dpi, uncropped
Salisbury Cathedral from the Bishop's Groundsca. 1825Free · sharp to 6.5 × 5.1 in at 300 dpi, uncropped