Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 375 | Gallery sharp | 6% |
| 14 × 11 in | 273 | Sharp up close | 4% |
| 16 × 12 in | 250 | Sharp up close | nothing |
| 20 × 16 in | 187 | Poster sharp | 6% |
| 24 × 18 in | 166 | Poster sharp | nothing |
| 36 × 24 in | 111 | Fine across a room | 11% |
| 40 × 30 in | 100 | Fine across a room | nothing |
The ticket
Pastoral Landscape: The Roman Campagna is a painting by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated ca. 1639. Oil on canvas. Size on the museum record: 40 x 53 1/2 in. (101.6 x 135.9 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Bequest of Adele L. Lehman, in memory of Arthur Lehman, 1965.
The Met catalogs Pastoral Landscape: The Roman Campagna as an oil on canvas by Claude Lorrain (Claude Gellée). The museum dates it ca. 1639, and files it under accession 65.181.12 in European Paintings. The subject is a view, and the eye travels from the foreground to the distance; give it wall space so that route stays readable. The Met's scan measures 4,000 × 3,005 pixels, which prints about 13.3 × 10.0 in at 300 dpi and 26.7 × 20.0 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 4,000 × 3,005 pixels — 12 megapixels — good for a gallery-sharp print up to 13.3 × 10 in. The painting itself measures about 53.5 × 40 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Claude Lorrain (Claude Gellée)
- Date
- ca. 1639
- Medium
- Oil on canvas
- Size
- 40 x 53 1/2 in. (101.6 x 135.9 cm)
- Museum
- The Met · European Paintings
- Accession
- 65.181.12
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Claude Lorrain
All 14 →
Perseus and the Origin of Coralca. 1671Free · sharp to 13 × 10.2 in at 300 dpi, uncropped
Queen Esther Approaching the Palace of Ahasuerus1658Free · sharp to 6.4 × 4.4 in at 300 dpi, uncropped
The Trojan Women Setting Fire to Their Fleetca. 1643Free · sharp to 13.1 × 9.1 in at 300 dpi, uncropped
Coast View with Perseus and the Origin of Coral1674Free · sharp to 12.9 × 8.5 in at 300 dpi, uncropped