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Pastoral Landscape: The Roman Campagna

Claude Lorrain (Claude Gellée) · ca. 1639 · The Met, New York

Public domain · CC0 · $0.004,000 × 3,005 px · 12 MP
Prints gallery-sharp up to13.3 × 10 inat 300 dpi, uncropped · poster-sharp to 26.7 × 20 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Pastoral Landscape: The Roman Campagna by Claude Lorrain (Claude Gellée), ca. 1639
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Pastoral Landscape: The Roman Campagna in a frame
16 × 20 in
Pastoral Landscape: The Roman CampagnaClaude Lorrain · ca. 1639
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1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in375Gallery sharp6%
14 × 11 in273Sharp up close4%
16 × 12 in250Sharp up closenothing
20 × 16 in187Poster sharp6%
24 × 18 in166Poster sharpnothing
36 × 24 in111Fine across a room11%
40 × 30 in100Fine across a roomnothing
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Pastoral Landscape: The Roman Campagna is a painting by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated ca. 1639. Oil on canvas. Size on the museum record: 40 x 53 1/2 in. (101.6 x 135.9 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Bequest of Adele L. Lehman, in memory of Arthur Lehman, 1965.

The Met catalogs Pastoral Landscape: The Roman Campagna as an oil on canvas by Claude Lorrain (Claude Gellée). The museum dates it ca. 1639, and files it under accession 65.181.12 in European Paintings. The subject is a view, and the eye travels from the foreground to the distance; give it wall space so that route stays readable. The Met's scan measures 4,000 × 3,005 pixels, which prints about 13.3 × 10.0 in at 300 dpi and 26.7 × 20.0 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its golden tones pair naturally with a gold or walnut frame, or go black for a sharper, more modern contrast. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Add a small picture light and keep the centre of the piece around 57 inches from the floor; those two choices make a reproduction look deliberate.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 4,000 × 3,005 pixels — 12 megapixels — good for a gallery-sharp print up to 13.3 × 10 in. The painting itself measures about 53.5 × 40 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
Claude Lorrain (Claude Gellée)
Date
ca. 1639
Medium
Oil on canvas
Size
40 x 53 1/2 in. (101.6 x 135.9 cm)
Museum
The Met · European Paintings
Accession
65.181.12
License
Public domain · CC0 1.0
Source
Museum record ↗
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