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The Trojan Women Setting Fire to Their Fleet

Claude Lorrain (Claude Gellée) · ca. 1643 · The Met, New York

Public domain · CC0 · $0.003,915 × 2,719 px · 10.6 MP
Prints gallery-sharp up to13.1 × 9.1 inat 300 dpi, uncropped · poster-sharp to 26.1 × 18.1 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00The Trojan Women Setting Fire to Their Fleet by Claude Lorrain (Claude Gellée), ca. 1643
The set builder

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The Trojan Women Setting Fire to Their Fleet in a frame
16 × 20 in
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1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in339Gallery sharp13%
14 × 11 in247Sharp up close12%
16 × 12 in226Sharp up close7%
20 × 16 in169Poster sharp13%
24 × 18 in151Poster sharp7%
36 × 24 in108Fine across a room4%
40 × 30 in90Too soft7%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

The Trojan Women Setting Fire to Their Fleet is a painting by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated ca. 1643. Oil on canvas. Size on the museum record: 41 3/8 x 59 7/8 in. (105.1 x 152.1 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Fletcher Fund, 1955.

The Trojan Women Setting Fire to Their Fleet is an oil on canvas by Claude Lorrain (Claude Gellée), part of The Met's open-access collection. The museum dates it ca. 1643; it sits in the European Paintings department as accession 55.119. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,915 × 2,719 pixels, which prints about 13.1 × 9.1 in at 300 dpi and 26.1 × 18.1 in at a still-comfortable 150 dpi. Because it runs wide, it wants a horizontal frame; check the crop percentage for each size before you commit. Its warm reds and oranges suit walnut or gold, which deepen the glow instead of washing it out. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,915 × 2,719 pixels — 10.6 megapixels — good for a gallery-sharp print up to 13.1 × 9.1 in. The painting itself measures about 59.9 × 41.4 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.

On the receipt

Artist
Claude Lorrain (Claude Gellée)
Date
ca. 1643
Medium
Oil on canvas
Size
41 3/8 x 59 7/8 in. (105.1 x 152.1 cm)
Museum
The Met · European Paintings
Accession
55.119
License
Public domain · CC0 1.0
Source
Museum record ↗