Build the wall set
Art, frame, light and hanging gear, picked together. Choose a size and finish; the wall preview shows exactly what you're getting. One button sends the whole kit to your Amazon cart.
Amazon sells the physical items, sets their prices and availability, and may pay us a commission. The free museum file is separate. How we get paid →
How big can you print it?
Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.
| Frame | Effective dpi | Verdict | Crops |
|---|---|---|---|
| 10 × 8 in | 355 | Gallery sharp | 8% |
| 14 × 11 in | 258 | Sharp up close | 6% |
| 16 × 12 in | 237 | Sharp up close | 2% |
| 20 × 16 in | 177 | Poster sharp | 8% |
| 24 × 18 in | 158 | Poster sharp | 2% |
| 36 × 24 in | 107 | Fine across a room | 9% |
| 40 × 30 in | 94 | Too soft | 2% |
The ticket
The Ford is a painting by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated possibly 1636. Oil on canvas. Size on the museum record: 29 1/4 x 39 3/4 in. (74.3 x 101 cm). The Metropolitan Museum of Art holds it in its European Paintings collection — Fletcher Fund, 1928.
The Met catalogs The Ford as an oil on canvas by Claude Lorrain (Claude Gellée). The museum dates it possibly 1636, and files it under accession 28.117 in European Paintings. People are the subject, and the grouping and gestures matter more than any single face; avoid cropping the edges. The Met's scan measures 3,871 × 2,844 pixels, which prints about 12.9 × 9.5 in at 300 dpi and 25.8 × 19.0 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. Its muted earth tones are forgiving: natural wood softens the palette, walnut deepens it and black frames it like a gallery. Paintings reproduce best on matte paper, since gloss throws glare across exactly the brushwork you came for. Light it from above with a soft warm bulb, hang the centre of the picture near 57 inches, and it will read as intended instead of as decoration.
The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 3,871 × 2,844 pixels — 11 megapixels — good for a gallery-sharp print up to 12.9 × 9.5 in. The painting itself measures about 39.8 × 29.3 in, so a true life-size print runs below 300 dpi — still sharp at normal viewing distance.Paintings reproduce best on matte paper. Gloss throws glare across exactly the brushwork you came for, and a picture light does more for a print than any upgrade in paper.
On the receipt
- Artist
- Claude Lorrain (Claude Gellée)
- Date
- possibly 1636
- Medium
- Oil on canvas
- Size
- 29 1/4 x 39 3/4 in. (74.3 x 101 cm)
- Museum
- The Met · European Paintings
- Accession
- 28.117
- License
- Public domain · CC0 1.0
- Source
- Museum record ↗
More Claude Lorrain
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Perseus and the Origin of Coralca. 1671Free · sharp to 13 × 10.2 in at 300 dpi, uncropped
Queen Esther Approaching the Palace of Ahasuerus1658Free · sharp to 6.4 × 4.4 in at 300 dpi, uncropped
The Trojan Women Setting Fire to Their Fleetca. 1643Free · sharp to 13.1 × 9.1 in at 300 dpi, uncropped
Coast View with Perseus and the Origin of Coral1674Free · sharp to 12.9 × 8.5 in at 300 dpi, uncropped