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Harbor Scene with Rising Sun

Claude Lorrain (Claude Gellée) · 1634 · The Met, New York

Public domain · CC0 · $0.004,000 × 2,736 px · 10.9 MP
Prints gallery-sharp up to13.3 × 9.1 inat 300 dpi, uncropped · poster-sharp to 26.7 × 18.2 in at 150 dpi

The download is the Met's own open-access file, served by the Met. Big file — give it a minute.

Free · $0.00Harbor Scene with Rising Sun by Claude Lorrain (Claude Gellée), 1634
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Harbor Scene with Rising Sun in a frame
16 × 20 in
Harbor Scene with Rising SunClaude Lorrain · 1634
See it over your couch →
1 · Size

2 · Frame

3 · Light

4 · Hang it right

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The size chart

How big can you print it?

Standard frame sizes, turned to match the artwork. "Crops" is how much of the picture you lose filling that frame edge to edge — or keep it all and let a mat take up the difference.

FrameEffective dpiVerdictCrops
10 × 8 in342Gallery sharp15%
14 × 11 in248Sharp up close13%
16 × 12 in228Sharp up close9%
20 × 16 in171Poster sharp15%
24 × 18 in152Poster sharp9%
36 × 24 in111Fine across a room3%
40 × 30 in91Too soft9%
Will it fit over your couch? Put this one on your wall, to scale — crop or mat, frame size, hang height and the order.

The ticket

Harbor Scene with Rising Sun is a print by Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), dated 1634. Etching; Mannocci's fifth state of eight. Size on the museum record: sheet: 5 9/16 x 8 1/4 in. (14.1 x 21 cm) plate: 5 1/8 x 7 13/16 in. (13 x 19.8 cm). The Metropolitan Museum of Art holds it in its Drawings and Prints collection — Harris Brisbane Dick Fund, 1926.

The Met catalogs Harbor Scene with Rising Sun as an etching; mannocci's fifth state of eight by Claude Lorrain (Claude Gellée). The museum dates it 1634 (accession 26.72.89, Drawings and Prints). The subject is water and weather, so the sky-to-sea balance carries the picture; keep the horizon level when you hang it. The Met's scan measures 4,000 × 2,736 pixels, which prints about 13.3 × 9.1 in at 300 dpi and 26.7 × 18.2 in at a still-comfortable 150 dpi. Its wide proportions sit naturally over a sofa, console or bed, and the crop figures in the set builder show what a standard frame would trim. It is close to monochrome, so the frame sets the mood: black for contrast, white for air, or a thin natural wood for warmth. Line work lives on contrast. Print it on smooth bright paper and give it a wider frame or mat so the fine marks are not swallowed. A warm picture light a few inches above the frame does more for a print than any paper upgrade, and the hanging centre line belongs near 57 inches.

The Met released its scan under CC0, which means no permission, no fee and no credit line required. That file is 4,000 × 2,736 pixels — 10.9 megapixels — good for a gallery-sharp print up to 13.3 × 9.1 in. That is bigger than the print itself, which measures about 8.3 × 5.6 in — the file holds more detail than you can see standing in front of the original.Line work lives or dies on contrast. Print it on a smooth, bright paper and give it a wide mat: small graphic work drowns in a thin frame and a big empty border makes it look like it came out of a print room drawer.

On the receipt

Artist
Claude Lorrain (Claude Gellée)
Date
1634
Medium
Etching; Mannocci's fifth state of eight
Size
sheet: 5 9/16 x 8 1/4 in. (14.1 x 21 cm) plate: 5 1/8 x 7 13/16 in. (13 x 19.8 cm)
Museum
The Met · Drawings and Prints
Accession
26.72.89
License
Public domain · CC0 1.0
Source
Museum record ↗